Cadira is a DIY chair made of solid pine, using the same wooden slat (20x60mm).
Cadireta was the little chair that came before the CadiraIllustration by Robbie Whitehead
More Work
And here is a random and condensed selection of various other works completed in recent years:
Lucas, 2018.Shelving System I, 2019.Ari's, 2017.Six Pack, 2024.Rosca (Light attempt), 2016.Green Kitchen, 2019.Coeurs, 2020.Mesarraca, 2019.Silla Arco, 2022.Bendita Mesa, 2015.Cama Martín, 2020.Red Balls, 2021.Gordito, 2021.Red & Green, 2022.Atico Kitchen, 2019.El Hombre de Sal, 2019.Inca, 2021.Firma Black, 2017.Botijo Baldosa, 2024.Sabadell, 2019.Brown, 2021.Mesa Port, 2018.Yellow, 2017.Armario Alba, 2018.Bonay Hello, 2015.Telmo, 2018.Grada Groga, 2022.Mesa Forat, 2018.Mari, 2022.Pis O, 2017.Ping Pong Ping, 2018.My Body Office, 2021.Mesa Camión, 2025.Window Panels, 2018.Carabí, 2022.Mesas de Choque, 2021.AOO bag, 2015.Mana Mana Lima, 2022.Mesón, 2014.Bar en una botella, 2023.Muri, 2015.Pre 8, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Peana Ricard, 2021.Colgador Bolas, 2023.HTH, 2020.Biografia Antoni Arola, 2015.Mesas Baraja, 2022.Ibon Kitchen, 2018.Martín, 2020.L Table, 2021.Jabalí, 2016.Shelving System III, 2021.Bluejey, 2015.Aloha Freewall workshop, 2022.Mesa Gala, 2019.Ari, 2021.Save tables, 2018.Mel Gibson, 2015.Pepa, 2021.Valsells, 2022.Mesas Atico, 2019.Mountain, 2016.Boisbuchet workshop, 2023.Taco, 2022.Narrow shop, 2020.Pieza 1 HP, 2005.Mesa DAC, 2022.Marta, 2020.Sofa Port, 2018.Trineu FCB, 2018.Mesa Elefante, 2018.Shelving System IV Groc, 2022.Shelving System IV, 2022.Frontón, 2017.Shelving System II, 2021.Leon, 2022.Estantería Atico, 2019.Superligera, 2022.Blau, 2022.Ikea Vitra Vitra Ikea, 2021.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.