And here is a random and condensed selection of various other works completed in recent years:
My Body Office, 2021.Green Kitchen, 2019.Red & Green, 2022.Mesas Baraja, 2022.Firma Black, 2017.Mesa DAC, 2022.Shelving System II, 2021.Narrow shop, 2020.Marta, 2020.Pis O, 2017.Mesón, 2014.Boisbuchet workshop, 2023.Sabadell, 2019.Window Panels, 2018.Ari, 2021.Shelving System IV, 2022.Martín, 2020.Shelving System IV Groc, 2022.Rosca (Light attempt), 2016.Ibon Kitchen, 2018.Brown, 2021.Pepa, 2021.Inca, 2021.Cama Martín, 2020.El Hombre de Sal, 2019.Shelving System I, 2019.Mesa Forat, 2018.Shelving System III, 2021.L Table, 2021.Red Balls, 2021.Telmo, 2018.Mesa Camión, 2025.Bar en una botella, 2023.Pre 8, 2018.Superligera, 2022.Botijo Baldosa, 2024.Ikea Vitra Vitra Ikea, 2021.Ari's, 2017.Mana Mana Lima, 2022.Blau, 2022.Save tables, 2018.Grada Groga, 2022.Lucas, 2018.Trineu FCB, 2018.Yellow, 2017.Mesas Atico, 2019.Valsells, 2022.Gordito, 2021.Atico Kitchen, 2019.Mesa Gala, 2019.Muri, 2015.Colgador Bolas, 2023.Taco, 2022.Ping Pong Ping, 2018.Bluejey, 2015.Coeurs, 2020.Mesa Elefante, 2018.Biografia Antoni Arola, 2015.Jabalí, 2016.Leon, 2022.HTH, 2020.AOO bag, 2015.Mel Gibson, 2015.Mountain, 2016.Mesas de Choque, 2021.Frontón, 2017.Armario Alba, 2018.Bonay Hello, 2015.Estantería Atico, 2019.Carabí, 2022.Bendita Mesa, 2015.Mari, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Peana Ricard, 2021.Mesa Port, 2018.Silla Arco, 2022.Aloha Freewall workshop, 2022.Pieza 1 HP, 2005.Mesarraca, 2019.Sofa Port, 2018.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.