Designed in 2016
Produced by AOO from 2016 to 2020. Since then, available on demand
Two heights: 60 and 75cm
Toro is a solid wood stool, particularly stable.
Delta edition made of wengue
More Work
And here is a random and condensed selection of various other works completed in recent years:
L Table, 2021.Mesa DAC, 2022.Mesas Baraja, 2022.Pre 8, 2018.Sofa Port, 2018.Shelving System I, 2019.Carabí, 2022.Marta, 2020.Ping Pong Ping, 2018.Atico Kitchen, 2019.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Ibon Kitchen, 2018.Window Panels, 2018.Mesa Gala, 2019.Ari, 2021.Grada Groga, 2022.Botijo Baldosa, 2024.Leon, 2022.Aloha Freewall workshop, 2022.Silla Arco, 2022.Frontón, 2017.Colgador Bolas, 2023.Martín, 2020.Mesa Elefante, 2018.Red & Green, 2022.Bar en una botella, 2023.Pieza 1 HP, 2005.Brown, 2021.Trineu FCB, 2018.Jabalí, 2016.Yellow, 2017.Biografia Antoni Arola, 2015.Bendita Mesa, 2015.Telmo, 2018.Mountain, 2016.Shelving System II, 2021.My Body Office, 2021.Mari, 2022.Narrow shop, 2020.Sabadell, 2019.HTH, 2020.Mana Mana Lima, 2022.Estantería Atico, 2019.Six Pack, 2024.Ikea Vitra Vitra Ikea, 2021.Valsells, 2022.Gordito, 2021.Blau, 2022.Shelving System IV, 2022.Green Kitchen, 2019.Mesas de Choque, 2021.Inca, 2021.Rosca (Light attempt), 2016.Pis O, 2017.Superligera, 2022.Muri, 2015.Peana Ricard, 2021.Shelving System III, 2021.Mesas Atico, 2019.Mesa Camión, 2025.Red Balls, 2021.Coeurs, 2020.Mesarraca, 2019.AOO bag, 2015.Pepa, 2021.Cama Martín, 2020.Taco, 2022.Bonay Hello, 2015.Mesa Forat, 2018.Mel Gibson, 2015.Shelving System IV Groc, 2022.Boisbuchet workshop, 2023.Mesa Port, 2018.Bluejey, 2015.Armario Alba, 2018.Lucas, 2018.Mesón, 2014.Ari's, 2017.Save tables, 2018.El Hombre de Sal, 2019.Firma Black, 2017.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.