Cadira is a DIY chair made of solid pine, using the same wooden slat (20x60mm).
Cadireta was the little chair that came before the CadiraIllustration by Robbie Whitehead
More Work
And here is a random and condensed selection of various other works completed in recent years:
Shelving System III, 2021.Rosca (Light attempt), 2016.Mel Gibson, 2015.Yellow, 2017.Peana Ricard, 2021.Mesón, 2014.Bar en una botella, 2023.Shelving System IV, 2022.Grada Groga, 2022.Green Kitchen, 2019.Mountain, 2016.Shelving System II, 2021.Shelving System IV Groc, 2022.El Hombre de Sal, 2019.Pre 8, 2018.Red Balls, 2021.Save tables, 2018.Inca, 2021.Silla Arco, 2022.Mesa DAC, 2022.Muri, 2015.Firma Black, 2017.Estantería Atico, 2019.Ping Pong Ping, 2018.Botijo Baldosa, 2024.Bendita Mesa, 2015.Mesarraca, 2019.My Body Office, 2021.Telmo, 2018.Bluejey, 2015.Biografia Antoni Arola, 2015.Pieza 1 HP, 2005.Armario Alba, 2018.HTH, 2020.Bonay Hello, 2015.Marta, 2020.Aloha Freewall workshop, 2022.Superligera, 2022.Gordito, 2021.Taco, 2022.Martín, 2020.AOO bag, 2015.Brown, 2021.Mesas de Choque, 2021.Window Panels, 2018.Mana Mana Lima, 2022.Valsells, 2022.Jabalí, 2016.Mesa Gala, 2019.Frontón, 2017.Leon, 2022.Mesa Forat, 2018.Ari's, 2017.Pis O, 2017.Mesa Camión, 2025.Mesas Atico, 2019.Mari, 2022.Colgador Bolas, 2023.Pepa, 2021.Red & Green, 2022.Mesa Elefante, 2018.Carabí, 2022.Coeurs, 2020.Lucas, 2018.Ikea Vitra Vitra Ikea, 2021.L Table, 2021.Boisbuchet workshop, 2023.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Mesas Baraja, 2022.Sabadell, 2019.Mesa Port, 2018.Sofa Port, 2018.Blau, 2022.Ari, 2021.Cama Martín, 2020.Shelving System I, 2019.Ibon Kitchen, 2018.Atico Kitchen, 2019.Trineu FCB, 2018.Narrow shop, 2020.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.