Designed in 2016
Produced by AOO from 2016 to 2020. Since then, available on demand
Two heights: 60 and 75cm
Toro is a solid wood stool, particularly stable.
Delta edition made of wengue
More Work
And here is a random and condensed selection of various other works completed in recent years:
Sofa Port, 2018.Mesa Gala, 2019.Atico Kitchen, 2019.Aloha Freewall workshop, 2022.Narrow shop, 2020.Mesa Forat, 2018.Superligera, 2022.Sabadell, 2019.Mesas de Choque, 2021.Cama Martín, 2020.Silla Arco, 2022.Six Pack, 2024.Biografia Antoni Arola, 2015.Taco, 2022.Bluejey, 2015.Firma Black, 2017.AOO bag, 2015.Mountain, 2016.Gordito, 2021.My Body Office, 2021.Mesa Camión, 2025.Pis O, 2017.Armario Alba, 2018.Yellow, 2017.Window Panels, 2018.Brown, 2021.Mesas Atico, 2019.HTH, 2020.Mesón, 2014.El Hombre de Sal, 2019.Shelving System I, 2019.Red Balls, 2021.Mel Gibson, 2015.Peana Ricard, 2021.Save tables, 2018.Frontón, 2017.Shelving System III, 2021.Green Kitchen, 2019.Boisbuchet workshop, 2023.Pre 8, 2018.Grada Groga, 2022.Leon, 2022.Mesa Elefante, 2018.Mesa DAC, 2022.L Table, 2021.Mana Mana Lima, 2022.Telmo, 2018.Blau, 2022.Ari, 2021.Bendita Mesa, 2015.Ari's, 2017.Ibon Kitchen, 2018.Muri, 2015.Ikea Vitra Vitra Ikea, 2021.Carabí, 2022.Botijo Baldosa, 2024.Inca, 2021.Jabalí, 2016.Shelving System IV, 2022.Lucas, 2018.Bonay Hello, 2015.Martín, 2020.Shelving System IV Groc, 2022.Mari, 2022.Colgador Bolas, 2023.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Marta, 2020.Shelving System II, 2021.Estantería Atico, 2019.Red & Green, 2022.Bar en una botella, 2023.Valsells, 2022.Mesa Port, 2018.Coeurs, 2020.Pieza 1 HP, 2005.Mesas Baraja, 2022.Pepa, 2021.Rosca (Light attempt), 2016.Trineu FCB, 2018.Mesarraca, 2019.Ping Pong Ping, 2018.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.