Estantería Palma is made of solid oak and steel rods. It’s easy to assemble and place the shelves at the desired level.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Mesón, 2014.Frontón, 2017.Sofa Port, 2018.Save tables, 2018.Pepa, 2021.Mesas Baraja, 2022.Green Kitchen, 2019.Mesas de Choque, 2021.Estantería Atico, 2019.Bluejey, 2015.Shelving System IV, 2022.Biografia Antoni Arola, 2015.Telmo, 2018.Cama Martín, 2020.Silla Arco, 2022.Sabadell, 2019.Mel Gibson, 2015.Bendita Mesa, 2015.Martín, 2020.Mana Mana Lima, 2022.Valsells, 2022.Pre 8, 2018.Leon, 2022.Red Balls, 2021.Ping Pong Ping, 2018.Armario Alba, 2018.Gordito, 2021.Yellow, 2017.Brown, 2021.Mesas Atico, 2019.Bonay Hello, 2015.Colgador Bolas, 2023.HTH, 2020.Window Panels, 2018.Ari, 2021.Carabí, 2022.Shelving System I, 2019.Peana Ricard, 2021.Muri, 2015.Taco, 2022.Blau, 2022.Atico Kitchen, 2019.Firma Black, 2017.Mesa Gala, 2019.Mesa Elefante, 2018.Shelving System IV Groc, 2022.Shelving System II, 2021.Mountain, 2016.Mesa DAC, 2022.Pieza 1 HP, 2005.Inca, 2021.Ari's, 2017.Shelving System III, 2021.Aloha Freewall workshop, 2022.Rosca (Light attempt), 2016.Pis O, 2017.Mesarraca, 2019.El Hombre de Sal, 2019.Marta, 2020.Boisbuchet workshop, 2023.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Ibon Kitchen, 2018.Ikea Vitra Vitra Ikea, 2021.Superligera, 2022.Botijo Baldosa, 2024.Jabalí, 2016.Mesa Camión, 2025.Grada Groga, 2022.Trineu FCB, 2018.Coeurs, 2020.Bar en una botella, 2023.Mesa Forat, 2018.AOO bag, 2015.Mesa Port, 2018.Narrow shop, 2020.Lucas, 2018.Mari, 2022.My Body Office, 2021.Red & Green, 2022.Six Pack, 2024.L Table, 2021.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.