Made of blue and green MDF + solid pine handlesUntitledMade of brown MDFMade of poplar plywood
More Work
And here is a random and condensed selection of various other works completed in recent years:
Shelving System IV Groc, 2022.Muri, 2015.Grada Groga, 2022.Shelving System I, 2019.Ari's, 2017.Mel Gibson, 2015.Bonay Hello, 2015.Mesa DAC, 2022.Inca, 2021.Mesas Atico, 2019.Pre 8, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Carabí, 2022.Coeurs, 2020.Bar en una botella, 2023.Window Panels, 2018.Narrow shop, 2020.Shelving System III, 2021.Red & Green, 2022.Ikea Vitra Vitra Ikea, 2021.Shelving System II, 2021.Pieza 1 HP, 2005.Firma Black, 2017.Jabalí, 2016.Mesas de Choque, 2021.Pis O, 2017.HTH, 2020.Pepa, 2021.Estantería Atico, 2019.Rosca (Light attempt), 2016.Mesón, 2014.Green Kitchen, 2019.Mesa Port, 2018.Telmo, 2018.Ping Pong Ping, 2018.Mesa Elefante, 2018.AOO bag, 2015.Trineu FCB, 2018.Gordito, 2021.Shelving System IV, 2022.Armario Alba, 2018.Superligera, 2022.Mesas Baraja, 2022.L Table, 2021.Aloha Freewall workshop, 2022.Marta, 2020.Mesarraca, 2019.Martín, 2020.Save tables, 2018.Ibon Kitchen, 2018.Sabadell, 2019.Botijo Baldosa, 2024.Mana Mana Lima, 2022.My Body Office, 2021.Cama Martín, 2020.Mesa Gala, 2019.Boisbuchet workshop, 2023.Lucas, 2018.Sofa Port, 2018.Brown, 2021.Blau, 2022.Atico Kitchen, 2019.Peana Ricard, 2021.Ari, 2021.Silla Arco, 2022.Yellow, 2017.Biografia Antoni Arola, 2015.Mesa Camión, 2025.Valsells, 2022.Bluejey, 2015.Mountain, 2016.Mesa Forat, 2018.Leon, 2022.Bendita Mesa, 2015.Frontón, 2017.Red Balls, 2021.Colgador Bolas, 2023.El Hombre de Sal, 2019.Taco, 2022.Mari, 2022.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.