Cadira is a DIY chair made of solid pine, using the same wooden slat (20x60mm).
Cadireta was the little chair that came before the CadiraIllustration by Robbie Whitehead
More Work
And here is a random and condensed selection of various other works completed in recent years:
Marta, 2020.Peana Ricard, 2021.Jabalí, 2016.Mesarraca, 2019.Ping Pong Ping, 2018.Ikea Vitra Vitra Ikea, 2021.Cama Martín, 2020.Yellow, 2017.Biografia Antoni Arola, 2015.Rosca (Light attempt), 2016.Save tables, 2018.Coeurs, 2020.Estantería Atico, 2019.Mountain, 2016.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Boisbuchet workshop, 2023.Firma Black, 2017.Mesa Camión, 2025.Sabadell, 2019.El Hombre de Sal, 2019.Mesas Baraja, 2022.Mel Gibson, 2015.Mesa DAC, 2022.L Table, 2021.Taco, 2022.Telmo, 2018.Pis O, 2017.Armario Alba, 2018.Leon, 2022.Aloha Freewall workshop, 2022.Bonay Hello, 2015.Valsells, 2022.Shelving System III, 2021.Shelving System I, 2019.Mesón, 2014.Mesa Elefante, 2018.Ari, 2021.Pre 8, 2018.Bendita Mesa, 2015.Gordito, 2021.Sofa Port, 2018.Window Panels, 2018.My Body Office, 2021.Mari, 2022.Mesa Forat, 2018.Silla Arco, 2022.Botijo Baldosa, 2024.Pieza 1 HP, 2005.Ari's, 2017.Inca, 2021.Frontón, 2017.Mesas Atico, 2019.Pepa, 2021.Red & Green, 2022.Bluejey, 2015.HTH, 2020.Ibon Kitchen, 2018.Shelving System IV, 2022.Blau, 2022.Mesas de Choque, 2021.Red Balls, 2021.Muri, 2015.Brown, 2021.Mesa Gala, 2019.Mana Mana Lima, 2022.Superligera, 2022.Shelving System IV Groc, 2022.Bar en una botella, 2023.AOO bag, 2015.Carabí, 2022.Green Kitchen, 2019.Martín, 2020.Narrow shop, 2020.Lucas, 2018.Grada Groga, 2022.Trineu FCB, 2018.Atico Kitchen, 2019.Mesa Port, 2018.Colgador Bolas, 2023.Shelving System II, 2021.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.