And here is a random and condensed selection of various other works completed in recent years:
El Hombre de Sal, 2019.Rosca (Light attempt), 2016.Red Balls, 2021.Leon, 2022.Mesa Camión, 2025.Mari, 2022.Taco, 2022.L Table, 2021.Valsells, 2022.Shelving System IV, 2022.Telmo, 2018.Yellow, 2017.Biografia Antoni Arola, 2015.Frontón, 2017.Superligera, 2022.Shelving System IV Groc, 2022.Lucas, 2018.Jabalí, 2016.Cama Martín, 2020.Firma Black, 2017.Red & Green, 2022.Grada Groga, 2022.Bendita Mesa, 2015.Marta, 2020.Estantería Atico, 2019.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Ikea Vitra Vitra Ikea, 2021.HTH, 2020.Ibon Kitchen, 2018.Mesa Port, 2018.Pepa, 2021.Save tables, 2018.Ping Pong Ping, 2018.Mesa Gala, 2019.Pis O, 2017.Mesa DAC, 2022.Carabí, 2022.Bluejey, 2015.Colgador Bolas, 2023.Atico Kitchen, 2019.Peana Ricard, 2021.Bar en una botella, 2023.Window Panels, 2018.Green Kitchen, 2019.Mesas Atico, 2019.Shelving System I, 2019.Ari, 2021.Pre 8, 2018.Botijo Baldosa, 2024.Bonay Hello, 2015.Brown, 2021.Mesa Elefante, 2018.AOO bag, 2015.Mesas Baraja, 2022.Inca, 2021.Mesas de Choque, 2021.Trineu FCB, 2018.Mountain, 2016.Boisbuchet workshop, 2023.My Body Office, 2021.Mesón, 2014.Shelving System II, 2021.Muri, 2015.Armario Alba, 2018.Martín, 2020.Shelving System III, 2021.Silla Arco, 2022.Sofa Port, 2018.Mesarraca, 2019.Narrow shop, 2020.Blau, 2022.Mesa Forat, 2018.Sabadell, 2019.Coeurs, 2020.Mel Gibson, 2015.Gordito, 2021.Pieza 1 HP, 2005.Aloha Freewall workshop, 2022.Mana Mana Lima, 2022.Ari's, 2017.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.