Los Olivos is a reinterpretation of the typical picnic table and bench set. It's 3 meters long and it's made of solid iroko.
Los Olivos train set
More Work
And here is a random and condensed selection of various other works completed in recent years:
Mesa DAC, 2022.Yellow, 2017.Peana Ricard, 2021.Mesas Atico, 2019.Rosca (Light attempt), 2016.Mesarraca, 2019.Boisbuchet workshop, 2023.Grada Groga, 2022.Firma Black, 2017.Frontón, 2017.Armario Alba, 2018.Ibon Kitchen, 2018.Telmo, 2018.Lucas, 2018.Narrow shop, 2020.Biografia Antoni Arola, 2015.Ari, 2021.Mesas Baraja, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Trineu FCB, 2018.Carabí, 2022.Green Kitchen, 2019.Mesa Forat, 2018.Bendita Mesa, 2015.Mesa Camión, 2025.Sofa Port, 2018.Colgador Bolas, 2023.Save tables, 2018.Leon, 2022.Shelving System IV, 2022.Estantería Atico, 2019.Mountain, 2016.Mari, 2022.Bar en una botella, 2023.Red Balls, 2021.L Table, 2021.Marta, 2020.Ikea Vitra Vitra Ikea, 2021.Shelving System II, 2021.Mesas de Choque, 2021.Cama Martín, 2020.Muri, 2015.Red & Green, 2022.Taco, 2022.My Body Office, 2021.Mesa Port, 2018.Silla Arco, 2022.Ari's, 2017.Blau, 2022.Sabadell, 2019.Superligera, 2022.Martín, 2020.Bonay Hello, 2015.Valsells, 2022.Botijo Baldosa, 2024.AOO bag, 2015.Mel Gibson, 2015.Jabalí, 2016.Mana Mana Lima, 2022.Shelving System IV Groc, 2022.Aloha Freewall workshop, 2022.Mesa Elefante, 2018.Atico Kitchen, 2019.Gordito, 2021.Shelving System I, 2019.El Hombre de Sal, 2019.Brown, 2021.Window Panels, 2018.Pieza 1 HP, 2005.Coeurs, 2020.Inca, 2021.Shelving System III, 2021.Bluejey, 2015.Ping Pong Ping, 2018.Mesa Gala, 2019.Mesón, 2014.Pepa, 2021.HTH, 2020.Pre 8, 2018.Pis O, 2017.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.