And here is a random and condensed selection of various other works completed in recent years:
Sabadell, 2019.Botijo Baldosa, 2024.Coeurs, 2020.Shelving System III, 2021.Mari, 2022.Boisbuchet workshop, 2023.Superligera, 2022.Bluejey, 2015.Red & Green, 2022.Blau, 2022.Cama Martín, 2020.Brown, 2021.Pepa, 2021.Mesarraca, 2019.Mel Gibson, 2015.Shelving System IV Groc, 2022.Pis O, 2017.Narrow shop, 2020.Armario Alba, 2018.El Hombre de Sal, 2019.Mesa Gala, 2019.Mesa Port, 2018.Carabí, 2022.Firma Black, 2017.AOO bag, 2015.Marta, 2020.Mesas Atico, 2019.HTH, 2020.Atico Kitchen, 2019.Mesón, 2014.Mountain, 2016.Mesas Baraja, 2022.Mana Mana Lima, 2022.Red Balls, 2021.Silla Arco, 2022.Rosca (Light attempt), 2016.Mesas de Choque, 2021.Biografia Antoni Arola, 2015.Jabalí, 2016.Mesa Elefante, 2018.Green Kitchen, 2019.Frontón, 2017.Gordito, 2021.Inca, 2021.Peana Ricard, 2021.My Body Office, 2021.Mesa Camión, 2025.Save tables, 2018.Ibon Kitchen, 2018.Trineu FCB, 2018.Valsells, 2022.Lucas, 2018.Mesa Forat, 2018.Bendita Mesa, 2015.Colgador Bolas, 2023.Ikea Vitra Vitra Ikea, 2021.Taco, 2022.Pre 8, 2018.Bonay Hello, 2015.Shelving System I, 2019.Ari, 2021.Mesa DAC, 2022.Aloha Freewall workshop, 2022.Leon, 2022.Pieza 1 HP, 2005.Shelving System IV, 2022.Ping Pong Ping, 2018.L Table, 2021.Sofa Port, 2018.Yellow, 2017.Telmo, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Estantería Atico, 2019.Ari's, 2017.Window Panels, 2018.Muri, 2015.Grada Groga, 2022.Martín, 2020.Shelving System II, 2021.Bar en una botella, 2023.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.