Pepi's kitchen is a very easy and very difficult exercise. As a food designer, her kitchen is her sanctuary, and almost unintentionally, that's how it turned out. It's a kitchen based on conversations, where the content and the container form a better team than ever.
It's very green, very solid wood (beech mostly) and for some reason, not sought after, it kindly reminds us of the interior of a ship.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Green Kitchen, 2019.Taco, 2022.Pre 8, 2018.Yellow, 2017.Sofa Port, 2018.Mari, 2022.Mesarraca, 2019.Pis O, 2017.Shelving System II, 2021.Grada Groga, 2022.Peana Ricard, 2021.AOO bag, 2015.Bendita Mesa, 2015.Mesa Elefante, 2018.Muri, 2015.Boisbuchet workshop, 2023.Mesa DAC, 2022.Shelving System I, 2019.Silla Arco, 2022.Shelving System IV Groc, 2022.Telmo, 2018.My Body Office, 2021.Narrow shop, 2020.Mel Gibson, 2015.Estantería Atico, 2019.Marta, 2020.Cama Martín, 2020.Mesa Gala, 2019.Pepa, 2021.Sabadell, 2019.Trineu FCB, 2018.Bar en una botella, 2023.Mesa Forat, 2018.Ping Pong Ping, 2018.Lucas, 2018.Armario Alba, 2018.Mesón, 2014.L Table, 2021.Superligera, 2022.Valsells, 2022.Biografia Antoni Arola, 2015.Atico Kitchen, 2019.Window Panels, 2018.Gordito, 2021.Jabalí, 2016.Red Balls, 2021.HTH, 2020.Mesas Baraja, 2022.Shelving System III, 2021.Save tables, 2018.Red & Green, 2022.Ari's, 2017.Bonay Hello, 2015.Firma Black, 2017.Mesas Atico, 2019.Bluejey, 2015.Mana Mana Lima, 2022.Botijo Baldosa, 2024.Pieza 1 HP, 2005.Ari, 2021.Aloha Freewall workshop, 2022.Mesa Port, 2018.Ikea Vitra Vitra Ikea, 2021.Carabí, 2022.El Hombre de Sal, 2019.Blau, 2022.Ibon Kitchen, 2018.Colgador Bolas, 2023.Inca, 2021.Coeurs, 2020.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Martín, 2020.Mesa Camión, 2025.Leon, 2022.Frontón, 2017.Mountain, 2016.Brown, 2021.Shelving System IV, 2022.Rosca (Light attempt), 2016.Mesas de Choque, 2021.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.