Year: 2020, together with David Martí and Claudia Roselló for Marta Gallery.
Different basic pieces of solid beech lacquered in black that when joined together form a toilet paper holder.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Mesa Camión, 2025.Mesa Elefante, 2018.Pre 8, 2018.Lucas, 2018.Save tables, 2018.Narrow shop, 2020.Atico Kitchen, 2019.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Mesa DAC, 2022.Telmo, 2018.Red & Green, 2022.Bendita Mesa, 2015.Mesón, 2014.Rosca (Light attempt), 2016.Muri, 2015.Mountain, 2016.Coeurs, 2020.Mana Mana Lima, 2022.Shelving System IV Groc, 2022.Green Kitchen, 2019.Ari, 2021.Trineu FCB, 2018.Gordito, 2021.Shelving System III, 2021.Shelving System I, 2019.Mari, 2022.AOO bag, 2015.Boisbuchet workshop, 2023.Shelving System II, 2021.Colgador Bolas, 2023.Mesas Baraja, 2022.Mesas de Choque, 2021.Taco, 2022.Ikea Vitra Vitra Ikea, 2021.Cama Martín, 2020.Jabalí, 2016.Firma Black, 2017.Carabí, 2022.Bar en una botella, 2023.Mesas Atico, 2019.Mesa Forat, 2018.Valsells, 2022.Ping Pong Ping, 2018.Marta, 2020.Pepa, 2021.Aloha Freewall workshop, 2022.Window Panels, 2018.Mesa Port, 2018.Armario Alba, 2018.Mel Gibson, 2015.Superligera, 2022.Yellow, 2017.Bonay Hello, 2015.Pieza 1 HP, 2005.Inca, 2021.Martín, 2020.Peana Ricard, 2021.Blau, 2022.Botijo Baldosa, 2024.Frontón, 2017.Bluejey, 2015.Biografia Antoni Arola, 2015.Red Balls, 2021.Mesarraca, 2019.Brown, 2021.Mesa Gala, 2019.Sabadell, 2019.HTH, 2020.Sofa Port, 2018.My Body Office, 2021.Ari's, 2017.Grada Groga, 2022.Ibon Kitchen, 2018.Estantería Atico, 2019.L Table, 2021.Silla Arco, 2022.Shelving System IV, 2022.Pis O, 2017.Leon, 2022.El Hombre de Sal, 2019.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.