The Capicua coffee table allows you two views of the same piece of furniture, with a white or black surface, depending on the choice.
The piece is made of a solid oak structure and lacquered MDF tops.
An original version in red and beech was the first model made for a particular client.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Mesas de Choque, 2021.My Body Office, 2021.Window Panels, 2018.Gordito, 2021.Ikea Vitra Vitra Ikea, 2021.Shelving System I, 2019.Bonay Hello, 2015.Frontón, 2017.Mesa Gala, 2019.Mana Mana Lima, 2022.Leon, 2022.Mesa Elefante, 2018.Armario Alba, 2018.Brown, 2021.Bar en una botella, 2023.Martín, 2020.Colgador Bolas, 2023.Silla Arco, 2022.Sabadell, 2019.Pieza 1 HP, 2005.Carabí, 2022.Pepa, 2021.Shelving System II, 2021.Peana Ricard, 2021.Taco, 2022.Narrow shop, 2020.Cama Martín, 2020.El Hombre de Sal, 2019.Ari's, 2017.Bendita Mesa, 2015.Blau, 2022.Shelving System III, 2021.Mesa Camión, 2025.Grada Groga, 2022.Muri, 2015.Ari, 2021.Mountain, 2016.Trineu FCB, 2018.Shelving System IV Groc, 2022.Lucas, 2018.Mari, 2022.Save tables, 2018.Botijo Baldosa, 2024.Mesa Forat, 2018.Mesas Baraja, 2022.Boisbuchet workshop, 2023.Rosca (Light attempt), 2016.Pis O, 2017.Green Kitchen, 2019.Mel Gibson, 2015.AOO bag, 2015.Coeurs, 2020.Red & Green, 2022.Ibon Kitchen, 2018.Sofa Port, 2018.Superligera, 2022.Bluejey, 2015.Red Balls, 2021.Mesón, 2014.Biografia Antoni Arola, 2015.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Mesarraca, 2019.Firma Black, 2017.Yellow, 2017.Pre 8, 2018.Atico Kitchen, 2019.Mesa Port, 2018.Marta, 2020.Ping Pong Ping, 2018.HTH, 2020.Mesa DAC, 2022.Shelving System IV, 2022.Telmo, 2018.Mesas Atico, 2019.Estantería Atico, 2019.Inca, 2021.L Table, 2021.Valsells, 2022.Aloha Freewall workshop, 2022.Jabalí, 2016.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.