Both Rubí and Ibiza are simple box file cabinets. The cylindrical encounter of the bases of the boxes with the square guides of the structures is one of their most relevant characteristics.
Ibiza is made of green and blue MDF and solid pine and beechRubí is made of birch and poplar plywood and solid pine and beech
More Work
And here is a random and condensed selection of various other works completed in recent years:
Muri, 2015.Martín, 2020.Mel Gibson, 2015.Peana Ricard, 2021.Shelving System II, 2021.Mari, 2022.Jabalí, 2016.Shelving System IV Groc, 2022.Mesa DAC, 2022.Shelving System I, 2019.Armario Alba, 2018.L Table, 2021.Marta, 2020.Boisbuchet workshop, 2023.Grada Groga, 2022.Save tables, 2018.Lucas, 2018.Mesas de Choque, 2021.Sabadell, 2019.Superligera, 2022.Bluejey, 2015.Ping Pong Ping, 2018.Atico Kitchen, 2019.Red & Green, 2022.Mana Mana Lima, 2022.Ibon Kitchen, 2018.Silla Arco, 2022.Green Kitchen, 2019.Ari, 2021.Yellow, 2017.Leon, 2022.HTH, 2020.Mesa Elefante, 2018.Botijo Baldosa, 2024.Inca, 2021.Mesarraca, 2019.Coeurs, 2020.Rosca (Light attempt), 2016.Biografia Antoni Arola, 2015.Shelving System III, 2021.Pre 8, 2018.Mesa Camión, 2025.Mountain, 2016.Mesa Gala, 2019.Brown, 2021.Aloha Freewall workshop, 2022.Pieza 1 HP, 2005.Colgador Bolas, 2023.Carabí, 2022.Taco, 2022.Mesón, 2014.Estantería Atico, 2019.Bendita Mesa, 2015.Window Panels, 2018.Blau, 2022.Bar en una botella, 2023.Mesa Forat, 2018.Mesas Baraja, 2022.Red Balls, 2021.El Hombre de Sal, 2019.Shelving System IV, 2022.Gordito, 2021.Sofa Port, 2018.Pepa, 2021.Firma Black, 2017.Mesa Port, 2018.Valsells, 2022.Cama Martín, 2020.Ikea Vitra Vitra Ikea, 2021.Narrow shop, 2020.AOO bag, 2015.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Pis O, 2017.My Body Office, 2021.Telmo, 2018.Frontón, 2017.Mesas Atico, 2019.Ari's, 2017.Trineu FCB, 2018.Bonay Hello, 2015.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.