Year: 2020, together with David Martí and Claudia Roselló for Marta Gallery.
Different basic pieces of solid beech lacquered in black that when joined together form a toilet paper holder.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Rosca (Light attempt), 2016.Marta, 2020.Firma Black, 2017.Shelving System IV Groc, 2022.Leon, 2022.Aloha Freewall workshop, 2022.Superligera, 2022.Red Balls, 2021.Narrow shop, 2020.Inca, 2021.Red & Green, 2022.Sabadell, 2019.Boisbuchet workshop, 2023.Green Kitchen, 2019.Muri, 2015.Shelving System IV, 2022.Botijo Baldosa, 2024.Coeurs, 2020.Telmo, 2018.Cama Martín, 2020.Grada Groga, 2022.Gordito, 2021.Pis O, 2017.Pre 8, 2018.Bendita Mesa, 2015.AOO bag, 2015.Ping Pong Ping, 2018.Shelving System I, 2019.Ibon Kitchen, 2018.Sofa Port, 2018.Mana Mana Lima, 2022.Biografia Antoni Arola, 2015.Carabí, 2022.Colgador Bolas, 2023.Mesón, 2014.Trineu FCB, 2018.Blau, 2022.Brown, 2021.Silla Arco, 2022.Yellow, 2017.Frontón, 2017.Shelving System III, 2021.Lucas, 2018.Martín, 2020.Mesas de Choque, 2021.Bar en una botella, 2023.Pieza 1 HP, 2005.El Hombre de Sal, 2019.Mari, 2022.Ari's, 2017.Ikea Vitra Vitra Ikea, 2021.Window Panels, 2018.My Body Office, 2021.Bonay Hello, 2015.Mesas Atico, 2019.HTH, 2020.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Mesa Camión, 2025.Armario Alba, 2018.Mesa DAC, 2022.L Table, 2021.Mesa Forat, 2018.Mesa Elefante, 2018.Mel Gibson, 2015.Mountain, 2016.Valsells, 2022.Mesa Gala, 2019.Taco, 2022.Jabalí, 2016.Shelving System II, 2021.Pepa, 2021.Atico Kitchen, 2019.Mesas Baraja, 2022.Mesarraca, 2019.Bluejey, 2015.Estantería Atico, 2019.Save tables, 2018.Mesa Port, 2018.Ari, 2021.Peana Ricard, 2021.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.