The Capicua coffee table allows you two views of the same piece of furniture, with a white or black surface, depending on the choice.
The piece is made of a solid oak structure and lacquered MDF tops.
An original version in red and beech was the first model made for a particular client.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Ikea Vitra Vitra Ikea, 2021.Botijo Baldosa, 2024.L Table, 2021.Taco, 2022.Leon, 2022.My Body Office, 2021.Mesa DAC, 2022.Mesa Camión, 2025.Bar en una botella, 2023.Pieza 1 HP, 2005.Frontón, 2017.Mesa Forat, 2018.Bluejey, 2015.Yellow, 2017.Shelving System II, 2021.Biografia Antoni Arola, 2015.Mesarraca, 2019.Mesa Port, 2018.AOO bag, 2015.Martín, 2020.Mesón, 2014.Aloha Freewall workshop, 2022.Coeurs, 2020.Atico Kitchen, 2019.HTH, 2020.Ping Pong Ping, 2018.Shelving System IV Groc, 2022.Sofa Port, 2018.Save tables, 2018.Peana Ricard, 2021.Grada Groga, 2022.Bonay Hello, 2015.Red Balls, 2021.Mana Mana Lima, 2022.Cama Martín, 2020.Ari, 2021.Green Kitchen, 2019.Gordito, 2021.Pepa, 2021.Firma Black, 2017.Narrow shop, 2020.Colgador Bolas, 2023.Muri, 2015.Mel Gibson, 2015.Mesas de Choque, 2021.Brown, 2021.Jabalí, 2016.Rosca (Light attempt), 2016.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Boisbuchet workshop, 2023.Trineu FCB, 2018.Ibon Kitchen, 2018.Sabadell, 2019.Window Panels, 2018.Mari, 2022.Pis O, 2017.El Hombre de Sal, 2019.Shelving System III, 2021.Mesa Elefante, 2018.Shelving System IV, 2022.Inca, 2021.Valsells, 2022.Carabí, 2022.Silla Arco, 2022.Mesa Gala, 2019.Blau, 2022.Mesas Baraja, 2022.Telmo, 2018.Armario Alba, 2018.Ari's, 2017.Marta, 2020.Pre 8, 2018.Superligera, 2022.Estantería Atico, 2019.Shelving System I, 2019.Red & Green, 2022.Bendita Mesa, 2015.Mesas Atico, 2019.Lucas, 2018.Mountain, 2016.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.