Kamanar
Year: 2018, for Foundawtion.
Foundawtion is a non-profit organization that carries out vernacular projects to address architectural needs in economically disadvantaged areas. CEM Kamanar, led by the Daw Office architecture studio, is the first project of this foundation: a school for more than 500 high school students in Thionck Essyl, a village in the Casamance area, south of Senegal.
This manual is a project in collaboration with Bendita Gloria for the foundation. More than the result of the work done, these pages contain everything that was necessary for the manufacture of the furniture collection designed for the CEM Kamanar school.
A collection that has sought the most optimal relationship between efficiency and comfort, prioritizing making things as easy as possible for each stage of the process: from design, material selection, construction, and/or maintenance.
Chaise S and L prototypes
The school in operation in 2020.
Throughout the design and manufacturing period of all the furniture, workshops and related projects were carried out to raise funds and promote the project.
A good example is L'Art de Construir, a workshop organized by Ester Rovira and in collaboration with Claudia Valsells. During a week and with a group of more than 20 children, more than 30 chairs from the collection were manufactured and painted.
Installation during the Dakar Art Bienal 2022
Chaise S painted by Antonio Ballester Moreno
Chaise S painted by Leticia Feduchi
Chaise S painted by Guim Tió
Chaise S painted by Klas Ernflo
Chaise S painted by Claudia Valsells
Chaise S painted by Xavier Mariscal
Chaise S painted by Marria Pratts
Árboles at Marta Gallery in Los Angeles.
Solid Chaise S de especialidad.
Solid Echelle de especialidad.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Mesa DAC, 2022.
Mesa Gala, 2019.
Mesa Forat, 2018.
Shelving System IV Groc, 2022.
Estantería Atico, 2019.
Ari, 2021.
Shelving System III, 2021.
Biografia Antoni Arola, 2015.
Ikea Vitra Vitra Ikea, 2021.
Ping Pong Ping, 2018.
Yellow, 2017.
Pepa, 2021.
Mesa Elefante, 2018.
Pis O, 2017.
Botijo Baldosa, 2024.
Narrow shop, 2020.
Leon, 2022.
Rosca (Light attempt), 2016.
Save tables, 2018.
Peana Ricard, 2021.
Sofa Port, 2018.
Inca, 2021.
Mesa Port, 2018.
Mesarraca, 2019.
Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).
Red & Green, 2022.
Shelving System II, 2021.
Muri, 2015.
Jabalí, 2016.
Red Balls, 2021.
Shelving System I, 2019.
Lucas, 2018.
Blau, 2022.
Valsells, 2022.
Cama Martín, 2020.
Silla Arco, 2022.
Mesón, 2014.
Coeurs, 2020.
HTH, 2020.
L Table, 2021.
Colgador Bolas, 2023.
Sabadell, 2019.
Mesa Camión, 2025.
Mountain, 2016.
Ari's, 2017.
Carabí, 2022.
Mana Mana Lima, 2022.
Mesas de Choque, 2021.
Shelving System IV, 2022.
Frontón, 2017.
El Hombre de Sal, 2019.
Trineu FCB, 2018.
Telmo, 2018.
Ibon Kitchen, 2018.
Taco, 2022.
Pieza 1 HP, 2005.
Mesas Atico, 2019.
Mari, 2022.
AOO bag, 2015.
Armario Alba, 2018.
Bar en una botella, 2023.
Bonay Hello, 2015.
Brown, 2021.
Mesas Baraja, 2022.
Martín, 2020.
Bendita Mesa, 2015.
Superligera, 2022.
Boisbuchet workshop, 2023.
Mel Gibson, 2015.
My Body Office, 2021.
Grada Groga, 2022.
Firma Black, 2017.
Gordito, 2021.
Bluejey, 2015.
Window Panels, 2018.
Pre 8, 2018.
Green Kitchen, 2019.
Aloha Freewall workshop, 2022.
Atico Kitchen, 2019.
Marta, 2020.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.
The vast majority of the photos you will see on this website are from the following photographers: José Serrano (the one who most), Jara Varela, Coke Bartrina, Claudia Mauriño, Iris Humm, Salva López and Adrià Cañameras.
And the website has been designed by N&MS (Mark Bohle and Nam Huynh) and developed by Jonas List.
Why Mark and Nam chose Gaisyr
Poster designed by Bendita Gloria