Year: 2015
Produced by AOO from 2015 to 2020. Since then, available on demand
First version of the LU table structure was made of solid pine
LU table structure is made of solid beech and allows you to absorb a table top from 120cm to 220cm.
Delta version made of wengue
More Work
And here is a random and condensed selection of various other works completed in recent years:
Mesa Forat, 2018.Leon, 2022.Estantería Atico, 2019.Coeurs, 2020.Mesa Port, 2018.Ping Pong Ping, 2018.Bendita Mesa, 2015.Cama Martín, 2020.Jabalí, 2016.Mesas Baraja, 2022.Inca, 2021.Carabí, 2022.Shelving System III, 2021.Grada Groga, 2022.Pis O, 2017.Bonay Hello, 2015.Rosca (Light attempt), 2016.Marta, 2020.Peana Ricard, 2021.Ari, 2021.Ikea Vitra Vitra Ikea, 2021.HTH, 2020.Colgador Bolas, 2023.Bluejey, 2015.Shelving System II, 2021.My Body Office, 2021.Biografia Antoni Arola, 2015.Firma Black, 2017.Bar en una botella, 2023.Shelving System I, 2019.Telmo, 2018.Botijo Baldosa, 2024.Mesa Elefante, 2018.Mesas Atico, 2019.Mesón, 2014.Mel Gibson, 2015.Aloha Freewall workshop, 2022.Red Balls, 2021.Narrow shop, 2020.Mari, 2022.Valsells, 2022.Superligera, 2022.El Hombre de Sal, 2019.Pre 8, 2018.Sofa Port, 2018.Lucas, 2018.Atico Kitchen, 2019.Taco, 2022.Mana Mana Lima, 2022.Mountain, 2016.Window Panels, 2018.Frontón, 2017.Martín, 2020.Mesarraca, 2019.Ari's, 2017.L Table, 2021.Mesa Camión, 2025.Red & Green, 2022.Green Kitchen, 2019.Shelving System IV, 2022.Sabadell, 2019.Pieza 1 HP, 2005.Armario Alba, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Brown, 2021.Silla Arco, 2022.AOO bag, 2015.Boisbuchet workshop, 2023.Yellow, 2017.Mesas de Choque, 2021.Trineu FCB, 2018.Muri, 2015.Mesa DAC, 2022.Shelving System IV Groc, 2022.Save tables, 2018.Pepa, 2021.Gordito, 2021.Blau, 2022.Ibon Kitchen, 2018.Mesa Gala, 2019.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.