Kamanar
Year: 2018, for Foundawtion.
Foundawtion is a non-profit organization that carries out vernacular projects to address architectural needs in economically disadvantaged areas. CEM Kamanar, led by the Daw Office architecture studio, is the first project of this foundation: a school for more than 500 high school students in Thionck Essyl, a village in the Casamance area, south of Senegal.
This manual is a project in collaboration with Bendita Gloria for the foundation. More than the result of the work done, these pages contain everything that was necessary for the manufacture of the furniture collection designed for the CEM Kamanar school.
A collection that has sought the most optimal relationship between efficiency and comfort, prioritizing making things as easy as possible for each stage of the process: from design, material selection, construction, and/or maintenance.
Chaise S and L prototypes
The school in operation in 2020.
Throughout the design and manufacturing period of all the furniture, workshops and related projects were carried out to raise funds and promote the project.
A good example is L'Art de Construir, a workshop organized by Ester Rovira and in collaboration with Claudia Valsells. During a week and with a group of more than 20 children, more than 30 chairs from the collection were manufactured and painted.
Installation during the Dakar Art Bienal 2022
Chaise S painted by Antonio Ballester Moreno
Chaise S painted by Leticia Feduchi
Chaise S painted by Guim Tió
Chaise S painted by Klas Ernflo
Chaise S painted by Claudia Valsells
Chaise S painted by Xavier Mariscal
Chaise S painted by Marria Pratts
Árboles at Marta Gallery in Los Angeles.
Solid Chaise S de especialidad.
Solid Echelle de especialidad.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Estantería Atico, 2019.
Mountain, 2016.
Ping Pong Ping, 2018.
Shelving System IV, 2022.
Shelving System II, 2021.
Martín, 2020.
L Table, 2021.
Blau, 2022.
Pis O, 2017.
Silla Arco, 2022.
Shelving System IV Groc, 2022.
Taco, 2022.
Mesas Atico, 2019.
Shelving System I, 2019.
Peana Ricard, 2021.
Sofa Port, 2018.
Grada Groga, 2022.
Colgador Bolas, 2023.
Pepa, 2021.
Carabí, 2022.
Biografia Antoni Arola, 2015.
Ari, 2021.
Shelving System III, 2021.
Yellow, 2017.
Mesa DAC, 2022.
Frontón, 2017.
Valsells, 2022.
Cama Martín, 2020.
Mana Mana Lima, 2022.
Telmo, 2018.
Muri, 2015.
Ikea Vitra Vitra Ikea, 2021.
Mesa Forat, 2018.
Brown, 2021.
Bonay Hello, 2015.
Sabadell, 2019.
Pre 8, 2018.
Mari, 2022.
AOO bag, 2015.
Boisbuchet workshop, 2023.
El Hombre de Sal, 2019.
Lucas, 2018.
Red Balls, 2021.
Coeurs, 2020.
Firma Black, 2017.
Superligera, 2022.
Mesas de Choque, 2021.
Leon, 2022.
Bendita Mesa, 2015.
Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).
Bluejey, 2015.
Bar en una botella, 2023.
Pieza 1 HP, 2005.
Rosca (Light attempt), 2016.
Aloha Freewall workshop, 2022.
Botijo Baldosa, 2024.
Window Panels, 2018.
Ibon Kitchen, 2018.
Mesas Baraja, 2022.
Save tables, 2018.
Mesón, 2014.
Atico Kitchen, 2019.
Mesa Camión, 2025.
Armario Alba, 2018.
Ari's, 2017.
Mesarraca, 2019.
Inca, 2021.
Jabalí, 2016.
Gordito, 2021.
Mel Gibson, 2015.
Narrow shop, 2020.
My Body Office, 2021.
Mesa Elefante, 2018.
HTH, 2020.
Mesa Gala, 2019.
Red & Green, 2022.
Marta, 2020.
Mesa Port, 2018.
Trineu FCB, 2018.
Green Kitchen, 2019.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.
The vast majority of the photos you will see on this website are from the following photographers: José Serrano (the one who most), Jara Varela, Coke Bartrina, Claudia Mauriño, Iris Humm, Salva López and Adrià Cañameras.
And the website has been designed by N&MS (Mark Bohle and Nam Huynh) and developed by Jonas List.
Why Mark and Nam chose Gaisyr
Poster designed by Bendita Gloria