The Capicua coffee table allows you two views of the same piece of furniture, with a white or black surface, depending on the choice.
The piece is made of a solid oak structure and lacquered MDF tops.
An original version in red and beech was the first model made for a particular client.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Biografia Antoni Arola, 2015.Shelving System IV Groc, 2022.Mana Mana Lima, 2022.Grada Groga, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Boisbuchet workshop, 2023.Cama Martín, 2020.Muri, 2015.Firma Black, 2017.Green Kitchen, 2019.Lucas, 2018.Carabí, 2022.Mesa Port, 2018.Ibon Kitchen, 2018.Ari, 2021.Colgador Bolas, 2023.Shelving System II, 2021.Martín, 2020.Jabalí, 2016.Sofa Port, 2018.Mesa Gala, 2019.Marta, 2020.Bar en una botella, 2023.Bluejey, 2015.El Hombre de Sal, 2019.Ari's, 2017.Leon, 2022.Armario Alba, 2018.Narrow shop, 2020.Ping Pong Ping, 2018.Telmo, 2018.Brown, 2021.Blau, 2022.Pre 8, 2018.AOO bag, 2015.Atico Kitchen, 2019.Mesas de Choque, 2021.Window Panels, 2018.Valsells, 2022.Mesa Camión, 2025.Silla Arco, 2022.Rosca (Light attempt), 2016.Frontón, 2017.Pis O, 2017.Bonay Hello, 2015.My Body Office, 2021.Yellow, 2017.Mel Gibson, 2015.Shelving System IV, 2022.Pepa, 2021.Coeurs, 2020.Ikea Vitra Vitra Ikea, 2021.Mesarraca, 2019.Botijo Baldosa, 2024.Taco, 2022.HTH, 2020.Sabadell, 2019.Mesa Elefante, 2018.Red Balls, 2021.Mesa DAC, 2022.Pieza 1 HP, 2005.Mesa Forat, 2018.Gordito, 2021.Aloha Freewall workshop, 2022.Trineu FCB, 2018.Estantería Atico, 2019.Superligera, 2022.Mountain, 2016.Bendita Mesa, 2015.Shelving System I, 2019.Mesas Baraja, 2022.Mari, 2022.Mesas Atico, 2019.Inca, 2021.Shelving System III, 2021.Peana Ricard, 2021.Save tables, 2018.Red & Green, 2022.Mesón, 2014.L Table, 2021.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.