Cadira is a DIY chair made of solid pine, using the same wooden slat (20x60mm).
Cadireta was the little chair that came before the CadiraIllustration by Robbie Whitehead
More Work
And here is a random and condensed selection of various other works completed in recent years:
AOO bag, 2015.Pis O, 2017.Gordito, 2021.Boisbuchet workshop, 2023.Atico Kitchen, 2019.Carabí, 2022.Mana Mana Lima, 2022.Shelving System IV Groc, 2022.Cama Martín, 2020.Armario Alba, 2018.Mesas de Choque, 2021.Save tables, 2018.Taco, 2022.Ikea Vitra Vitra Ikea, 2021.Mesa Elefante, 2018.Bluejey, 2015.Brown, 2021.Rosca (Light attempt), 2016.Red Balls, 2021.Shelving System III, 2021.Muri, 2015.Marta, 2020.Valsells, 2022.Estantería Atico, 2019.Narrow shop, 2020.Mesa Port, 2018.Leon, 2022.Martín, 2020.Colgador Bolas, 2023.Mountain, 2016.Frontón, 2017.Green Kitchen, 2019.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Mari, 2022.El Hombre de Sal, 2019.Mesa Forat, 2018.Mesa Gala, 2019.Ari, 2021.Mesa Camión, 2025.Shelving System I, 2019.Mesas Baraja, 2022.Trineu FCB, 2018.Mesón, 2014.Botijo Baldosa, 2024.Sabadell, 2019.Peana Ricard, 2021.Ibon Kitchen, 2018.Pre 8, 2018.Inca, 2021.Shelving System II, 2021.Mel Gibson, 2015.Bar en una botella, 2023.Sofa Port, 2018.Window Panels, 2018.Pepa, 2021.Mesas Atico, 2019.Jabalí, 2016.Aloha Freewall workshop, 2022.Grada Groga, 2022.Blau, 2022.L Table, 2021.Firma Black, 2017.Ari's, 2017.Ping Pong Ping, 2018.Silla Arco, 2022.HTH, 2020.My Body Office, 2021.Coeurs, 2020.Telmo, 2018.Lucas, 2018.Yellow, 2017.Bendita Mesa, 2015.Bonay Hello, 2015.Mesarraca, 2019.Biografia Antoni Arola, 2015.Superligera, 2022.Red & Green, 2022.Pieza 1 HP, 2005.Shelving System IV, 2022.Mesa DAC, 2022.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.