The Campos chair is a reinterpretation of a popular design, maintaining the materials and its traditional manufacturing system, modifying only a series of measurements and proportions to make it somewhat more comfortable and fresh.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Atico Kitchen, 2019.Bar en una botella, 2023.Shelving System IV, 2022.Martín, 2020.Ikea Vitra Vitra Ikea, 2021.Pieza 1 HP, 2005.Shelving System II, 2021.Boisbuchet workshop, 2023.Aloha Freewall workshop, 2022.Sabadell, 2019.Ari's, 2017.Save tables, 2018.Biografia Antoni Arola, 2015.Mesa Forat, 2018.Window Panels, 2018.Green Kitchen, 2019.Mesón, 2014.Shelving System I, 2019.Mesas de Choque, 2021.Carabí, 2022.El Hombre de Sal, 2019.Cama Martín, 2020.Telmo, 2018.Pre 8, 2018.Ping Pong Ping, 2018.Narrow shop, 2020.Bluejey, 2015.Red Balls, 2021.Red & Green, 2022.Mesa Camión, 2025.L Table, 2021.Sofa Port, 2018.Mesa DAC, 2022.Ibon Kitchen, 2018.Brown, 2021.Trineu FCB, 2018.Mesa Port, 2018.Pepa, 2021.Silla Arco, 2022.Lucas, 2018.Inca, 2021.Coeurs, 2020.Bendita Mesa, 2015.Yellow, 2017.Blau, 2022.Muri, 2015.Mesa Elefante, 2018.Mana Mana Lima, 2022.Mesarraca, 2019.Bonay Hello, 2015.Rosca (Light attempt), 2016.Shelving System III, 2021.Pis O, 2017.Firma Black, 2017.Mesas Atico, 2019.Gordito, 2021.Armario Alba, 2018.Mesas Baraja, 2022.Grada Groga, 2022.Jabalí, 2016.Colgador Bolas, 2023.Shelving System IV Groc, 2022.Botijo Baldosa, 2024.Mel Gibson, 2015.Mountain, 2016.Ari, 2021.HTH, 2020.AOO bag, 2015.Valsells, 2022.Taco, 2022.Marta, 2020.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Mesa Gala, 2019.My Body Office, 2021.Frontón, 2017.Mari, 2022.Leon, 2022.Peana Ricard, 2021.Estantería Atico, 2019.Superligera, 2022.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects for individuals, brands and companies, staying closely involved in both design and development.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.