Year: 2020, together with David Martí and Claudia Roselló for Marta Gallery.
Different basic pieces of solid beech lacquered in black that when joined together form a toilet paper holder.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Save tables, 2018.Mountain, 2016.Cama Martín, 2020.Mana Mana Lima, 2022.Mesa Camión, 2025.Green Kitchen, 2019.Bonay Hello, 2015.Ibon Kitchen, 2018.Pieza 1 HP, 2005.Rosca (Light attempt), 2016.Ikea Vitra Vitra Ikea, 2021.Pre 8, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Shelving System III, 2021.HTH, 2020.Superligera, 2022.Atico Kitchen, 2019.Blau, 2022.Red & Green, 2022.Mari, 2022.Inca, 2021.Telmo, 2018.Aloha Freewall workshop, 2022.Muri, 2015.Pis O, 2017.Coeurs, 2020.Shelving System IV Groc, 2022.Yellow, 2017.My Body Office, 2021.Red Balls, 2021.Boisbuchet workshop, 2023.Valsells, 2022.Mel Gibson, 2015.Window Panels, 2018.Botijo Baldosa, 2024.Mesas Baraja, 2022.L Table, 2021.Mesas de Choque, 2021.Narrow shop, 2020.Bar en una botella, 2023.Ari's, 2017.Ping Pong Ping, 2018.Sofa Port, 2018.Bluejey, 2015.Leon, 2022.Frontón, 2017.El Hombre de Sal, 2019.Armario Alba, 2018.Ari, 2021.Mesa Forat, 2018.Carabí, 2022.Jabalí, 2016.Grada Groga, 2022.Trineu FCB, 2018.Shelving System IV, 2022.Shelving System II, 2021.Estantería Atico, 2019.Mesas Atico, 2019.Silla Arco, 2022.Lucas, 2018.Taco, 2022.Colgador Bolas, 2023.Mesa DAC, 2022.Brown, 2021.Biografia Antoni Arola, 2015.Pepa, 2021.Mesa Elefante, 2018.Firma Black, 2017.Bendita Mesa, 2015.Mesarraca, 2019.Mesón, 2014.Peana Ricard, 2021.Mesa Gala, 2019.Marta, 2020.Shelving System I, 2019.Sabadell, 2019.Martín, 2020.AOO bag, 2015.Mesa Port, 2018.Gordito, 2021.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.