And here is a random and condensed selection of various other works completed in recent years:
Bar en una botella, 2023.Shelving System II, 2021.Ari, 2021.Mana Mana Lima, 2022.AOO bag, 2015.Shelving System IV Groc, 2022.Ibon Kitchen, 2018.Frontón, 2017.Mesa Elefante, 2018.Coeurs, 2020.Green Kitchen, 2019.Trineu FCB, 2018.Brown, 2021.Bluejey, 2015.Mesas Atico, 2019.Botijo Baldosa, 2024.Sofa Port, 2018.Window Panels, 2018.Mountain, 2016.Sabadell, 2019.Pre 8, 2018.Mesas de Choque, 2021.Jabalí, 2016.Carabí, 2022.Rosca (Light attempt), 2016.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Shelving System I, 2019.Mesón, 2014.Mel Gibson, 2015.Muri, 2015.Marta, 2020.Leon, 2022.Bendita Mesa, 2015.Ping Pong Ping, 2018.Yellow, 2017.Mesas Baraja, 2022.L Table, 2021.Ari's, 2017.Lucas, 2018.Taco, 2022.Mesa DAC, 2022.Inca, 2021.Save tables, 2018.Mesa Port, 2018.El Hombre de Sal, 2019.Colgador Bolas, 2023.Armario Alba, 2018.Pieza 1 HP, 2005.Cama Martín, 2020.Peana Ricard, 2021.Superligera, 2022.Firma Black, 2017.Mesa Forat, 2018.Mesa Camión, 2025.Mari, 2022.Martín, 2020.Telmo, 2018.Blau, 2022.Narrow shop, 2020.Silla Arco, 2022.Pepa, 2021.Gordito, 2021.Atico Kitchen, 2019.My Body Office, 2021.Red Balls, 2021.Ikea Vitra Vitra Ikea, 2021.Biografia Antoni Arola, 2015.Aloha Freewall workshop, 2022.Shelving System III, 2021.Grada Groga, 2022.Pis O, 2017.Mesa Gala, 2019.Mesarraca, 2019.Boisbuchet workshop, 2023.Estantería Atico, 2019.Shelving System IV, 2022.Bonay Hello, 2015.HTH, 2020.Red & Green, 2022.Valsells, 2022.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.