Palma armchair is inspired by the shapes of the first spacecraft that took humans to the Moon.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Trineu FCB, 2018.Ikea Vitra Vitra Ikea, 2021.Shelving System IV, 2022.Taco, 2022.Leon, 2022.Ping Pong Ping, 2018.Mesa DAC, 2022.Yellow, 2017.Shelving System IV Groc, 2022.Muri, 2015.Mountain, 2016.Armario Alba, 2018.Mesarraca, 2019.Mari, 2022.Mel Gibson, 2015.Mesa Camión, 2025.Window Panels, 2018.Lucas, 2018.HTH, 2020.AOO bag, 2015.Blau, 2022.Pepa, 2021.Save tables, 2018.Boisbuchet workshop, 2023.Marta, 2020.Telmo, 2018.Pieza 1 HP, 2005.Pre 8, 2018.Bendita Mesa, 2015.Shelving System II, 2021.Gordito, 2021.Pis O, 2017.Silla Arco, 2022.Ari, 2021.El Hombre de Sal, 2019.Red Balls, 2021.Martín, 2020.Peana Ricard, 2021.Valsells, 2022.Mesón, 2014.Grada Groga, 2022.Firma Black, 2017.Mesa Forat, 2018.Superligera, 2022.Jabalí, 2016.Shelving System I, 2019.Atico Kitchen, 2019.Inca, 2021.Mesa Port, 2018.Colgador Bolas, 2023.Green Kitchen, 2019.Brown, 2021.Red & Green, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Estantería Atico, 2019.Frontón, 2017.Botijo Baldosa, 2024.Mesa Elefante, 2018.Sofa Port, 2018.Sabadell, 2019.Aloha Freewall workshop, 2022.Mesas de Choque, 2021.Bonay Hello, 2015.Shelving System III, 2021.My Body Office, 2021.Biografia Antoni Arola, 2015.Mesa Gala, 2019.Coeurs, 2020.Mesas Baraja, 2022.Bluejey, 2015.Mana Mana Lima, 2022.Rosca (Light attempt), 2016.Mesas Atico, 2019.Narrow shop, 2020.L Table, 2021.Ari's, 2017.Carabí, 2022.Cama Martín, 2020.Ibon Kitchen, 2018.Bar en una botella, 2023.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.