Year: 2013
Produced by AOO from 2013 to 2020. Since then, available on demand
Tripo is the rounded version of the Manolito stool and it has evolved with different models: the rounded solid version, the sandwich rounded version and the hexagonal version.
Height: 40cmInitially, a first prototype was made in aluminumHeight: 25cm
More Work
And here is a random and condensed selection of various other works completed in recent years:
Shelving System IV Groc, 2022.Mesa DAC, 2022.Ping Pong Ping, 2018.Red & Green, 2022.Marta, 2020.Mesas Atico, 2019.Mesa Forat, 2018.Muri, 2015.Biografia Antoni Arola, 2015.Frontón, 2017.L Table, 2021.Pepa, 2021.Firma Black, 2017.Narrow shop, 2020.Peana Ricard, 2021.Bendita Mesa, 2015.Ari's, 2017.Sabadell, 2019.Mesón, 2014.Inca, 2021.Armario Alba, 2018.Lucas, 2018.Mari, 2022.Boisbuchet workshop, 2023.Telmo, 2018.Silla Arco, 2022.Shelving System II, 2021.Superligera, 2022.Leon, 2022.Grada Groga, 2022.Brown, 2021.Cama Martín, 2020.Mountain, 2016.Taco, 2022.Mana Mana Lima, 2022.Pre 8, 2018.Shelving System III, 2021.Gordito, 2021.Jabalí, 2016.Bar en una botella, 2023.Botijo Baldosa, 2024.Estantería Atico, 2019.Coeurs, 2020.Shelving System IV, 2022.Pieza 1 HP, 2005.Sofa Port, 2018.Bonay Hello, 2015.Ibon Kitchen, 2018.Ari, 2021.Blau, 2022.HTH, 2020.Ikea Vitra Vitra Ikea, 2021.Mel Gibson, 2015.Bluejey, 2015.Mesas de Choque, 2021.Aloha Freewall workshop, 2022.Yellow, 2017.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).My Body Office, 2021.Shelving System I, 2019.Carabí, 2022.Colgador Bolas, 2023.Mesa Camión, 2025.Pis O, 2017.Mesa Elefante, 2018.Mesarraca, 2019.Mesas Baraja, 2022.El Hombre de Sal, 2019.Mesa Port, 2018.Green Kitchen, 2019.Save tables, 2018.Trineu FCB, 2018.Window Panels, 2018.Valsells, 2022.Rosca (Light attempt), 2016.Atico Kitchen, 2019.AOO bag, 2015.Red Balls, 2021.Martín, 2020.Mesa Gala, 2019.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.