And here is a random and condensed selection of various other works completed in recent years:
Yellow, 2017.Mel Gibson, 2015.Mesón, 2014.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Save tables, 2018.Narrow shop, 2020.Shelving System IV Groc, 2022.Mountain, 2016.Coeurs, 2020.Pepa, 2021.Trineu FCB, 2018.Mesas Atico, 2019.Shelving System I, 2019.Armario Alba, 2018.Mesa Port, 2018.Mesa Elefante, 2018.Taco, 2022.Shelving System II, 2021.HTH, 2020.Estantería Atico, 2019.Grada Groga, 2022.Leon, 2022.Rosca (Light attempt), 2016.Mesa Camión, 2025.Red Balls, 2021.Pieza 1 HP, 2005.Ari's, 2017.L Table, 2021.Ibon Kitchen, 2018.Pre 8, 2018.Mesas Baraja, 2022.Aloha Freewall workshop, 2022.Blau, 2022.Green Kitchen, 2019.AOO bag, 2015.Bendita Mesa, 2015.Silla Arco, 2022.Marta, 2020.Window Panels, 2018.Bar en una botella, 2023.Superligera, 2022.Red & Green, 2022.Muri, 2015.Ari, 2021.Valsells, 2022.Sabadell, 2019.Cama Martín, 2020.Firma Black, 2017.Boisbuchet workshop, 2023.Mesa Gala, 2019.Atico Kitchen, 2019.Bluejey, 2015.Telmo, 2018.Martín, 2020.Mesas de Choque, 2021.Mana Mana Lima, 2022.Mesa Forat, 2018.Mesa DAC, 2022.Peana Ricard, 2021.Inca, 2021.Colgador Bolas, 2023.Bonay Hello, 2015.Biografia Antoni Arola, 2015.Jabalí, 2016.El Hombre de Sal, 2019.Mari, 2022.Shelving System III, 2021.Ping Pong Ping, 2018.Botijo Baldosa, 2024.Ikea Vitra Vitra Ikea, 2021.Sofa Port, 2018.Frontón, 2017.Pis O, 2017.My Body Office, 2021.Lucas, 2018.Carabí, 2022.Shelving System IV, 2022.Gordito, 2021.Brown, 2021.Mesarraca, 2019.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.