Palma armchair is inspired by the shapes of the first spacecraft that took humans to the Moon.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Bar en una botella, 2023.Pepa, 2021.Lucas, 2018.Coeurs, 2020.Atico Kitchen, 2019.Shelving System IV Groc, 2022.Cama Martín, 2020.Muri, 2015.Mesa Port, 2018.Rosca (Light attempt), 2016.Mesa Camión, 2025.Save tables, 2018.Mountain, 2016.Biografia Antoni Arola, 2015.Marta, 2020.Inca, 2021.Bluejey, 2015.Grada Groga, 2022.Shelving System III, 2021.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Ikea Vitra Vitra Ikea, 2021.Red Balls, 2021.Superligera, 2022.Mesarraca, 2019.Mesas de Choque, 2021.Brown, 2021.L Table, 2021.Narrow shop, 2020.Gordito, 2021.Yellow, 2017.Aloha Freewall workshop, 2022.Silla Arco, 2022.Jabalí, 2016.Sofa Port, 2018.Carabí, 2022.Botijo Baldosa, 2024.Armario Alba, 2018.Pre 8, 2018.Ping Pong Ping, 2018.Mel Gibson, 2015.Mesa Gala, 2019.Blau, 2022.My Body Office, 2021.Shelving System II, 2021.Shelving System IV, 2022.Pis O, 2017.Valsells, 2022.Red & Green, 2022.Mesa Elefante, 2018.Ari's, 2017.Mesón, 2014.Leon, 2022.Mesas Atico, 2019.Trineu FCB, 2018.Ibon Kitchen, 2018.AOO bag, 2015.Green Kitchen, 2019.Telmo, 2018.Mana Mana Lima, 2022.Bendita Mesa, 2015.Window Panels, 2018.Boisbuchet workshop, 2023.Taco, 2022.Mesa Forat, 2018.Shelving System I, 2019.HTH, 2020.Mesas Baraja, 2022.Mari, 2022.Firma Black, 2017.Martín, 2020.Ari, 2021.Estantería Atico, 2019.Frontón, 2017.Mesa DAC, 2022.Bonay Hello, 2015.Pieza 1 HP, 2005.Sabadell, 2019.El Hombre de Sal, 2019.Colgador Bolas, 2023.Peana Ricard, 2021.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.