And here is a random and condensed selection of various other works completed in recent years:
Mesa Forat, 2018.Pieza 1 HP, 2005.Valsells, 2022.Estantería Atico, 2019.Taco, 2022.Peana Ricard, 2021.Armario Alba, 2018.Shelving System IV Groc, 2022.Frontón, 2017.Mari, 2022.Marta, 2020.Muri, 2015.Grada Groga, 2022.Rosca (Light attempt), 2016.Mesas Baraja, 2022.Jabalí, 2016.Firma Black, 2017.Narrow shop, 2020.Green Kitchen, 2019.Shelving System I, 2019.Save tables, 2018.Telmo, 2018.Mesas de Choque, 2021.Window Panels, 2018.Bar en una botella, 2023.Biografia Antoni Arola, 2015.Pre 8, 2018.Aloha Freewall workshop, 2022.Botijo Baldosa, 2024.Yellow, 2017.Cama Martín, 2020.Pis O, 2017.Ping Pong Ping, 2018.L Table, 2021.Silla Arco, 2022.Inca, 2021.Atico Kitchen, 2019.Superligera, 2022.Pepa, 2021.Bonay Hello, 2015.HTH, 2020.El Hombre de Sal, 2019.Mesarraca, 2019.Ari's, 2017.Bluejey, 2015.Mesa DAC, 2022.Mountain, 2016.Shelving System IV, 2022.Red Balls, 2021.Mesa Port, 2018.Leon, 2022.Shelving System III, 2021.My Body Office, 2021.Brown, 2021.Mesas Atico, 2019.Mesa Gala, 2019.AOO bag, 2015.Mesa Camión, 2025.Colgador Bolas, 2023.Ibon Kitchen, 2018.Ikea Vitra Vitra Ikea, 2021.Bendita Mesa, 2015.Red & Green, 2022.Sabadell, 2019.Shelving System II, 2021.Mana Mana Lima, 2022.Mesón, 2014.Trineu FCB, 2018.Martín, 2020.Gordito, 2021.Lucas, 2018.Blau, 2022.Sofa Port, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Coeurs, 2020.Boisbuchet workshop, 2023.Mesa Elefante, 2018.Carabí, 2022.Ari, 2021.Mel Gibson, 2015.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects for individuals, brands and companies, staying closely involved in both design and development.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.