Year: 2015
Produced by AOO from 2015 to 2020. Since then, available on demand
First version of the LU table structure was made of solid pine
LU table structure is made of solid beech and allows you to absorb a table top from 120cm to 220cm.
Delta version made of wengue
More Work
And here is a random and condensed selection of various other works completed in recent years:
Mesa Port, 2018.Shelving System I, 2019.Ping Pong Ping, 2018.Mesas de Choque, 2021.Pepa, 2021.Muri, 2015.Mel Gibson, 2015.Mesas Baraja, 2022.Pre 8, 2018.Firma Black, 2017.Mesa Elefante, 2018.Grada Groga, 2022.Atico Kitchen, 2019.Mountain, 2016.Mesón, 2014.Mesas Atico, 2019.Narrow shop, 2020.Jabalí, 2016.My Body Office, 2021.Green Kitchen, 2019.Silla Arco, 2022.Cama Martín, 2020.Pieza 1 HP, 2005.Sabadell, 2019.Shelving System IV Groc, 2022.Ikea Vitra Vitra Ikea, 2021.Colgador Bolas, 2023.El Hombre de Sal, 2019.Save tables, 2018.Botijo Baldosa, 2024.Lucas, 2018.Gordito, 2021.Estantería Atico, 2019.Martín, 2020.Red Balls, 2021.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Boisbuchet workshop, 2023.AOO bag, 2015.Window Panels, 2018.Taco, 2022.Coeurs, 2020.Blau, 2022.Mana Mana Lima, 2022.Carabí, 2022.Mesa Forat, 2018.Ari, 2021.Mesa Camión, 2025.Brown, 2021.Mesa DAC, 2022.L Table, 2021.Rosca (Light attempt), 2016.Mari, 2022.Trineu FCB, 2018.Mesa Gala, 2019.Pis O, 2017.Ibon Kitchen, 2018.Shelving System II, 2021.Marta, 2020.HTH, 2020.Bluejey, 2015.Inca, 2021.Armario Alba, 2018.Superligera, 2022.Biografia Antoni Arola, 2015.Bendita Mesa, 2015.Bar en una botella, 2023.Yellow, 2017.Sofa Port, 2018.Red & Green, 2022.Frontón, 2017.Bonay Hello, 2015.Valsells, 2022.Shelving System III, 2021.Shelving System IV, 2022.Mesarraca, 2019.Ari's, 2017.Peana Ricard, 2021.Aloha Freewall workshop, 2022.Telmo, 2018.Leon, 2022.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.