Los Olivos is a reinterpretation of the typical picnic table and bench set. It's 3 meters long and it's made of solid iroko.
Los Olivos train set
More Work
And here is a random and condensed selection of various other works completed in recent years:
Telmo, 2018.Atico Kitchen, 2019.Shelving System IV Groc, 2022.Mesas Baraja, 2022.Mesa Port, 2018.Ari, 2021.Muri, 2015.AOO bag, 2015.Boisbuchet workshop, 2023.Mesa Gala, 2019.Cama Martín, 2020.Grada Groga, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Jabalí, 2016.Mesas de Choque, 2021.Mesa Forat, 2018.Pis O, 2017.Frontón, 2017.Leon, 2022.Red & Green, 2022.Silla Arco, 2022.Colgador Bolas, 2023.Pre 8, 2018.Botijo Baldosa, 2024.Mesas Atico, 2019.Mesa DAC, 2022.Shelving System III, 2021.Valsells, 2022.El Hombre de Sal, 2019.Narrow shop, 2020.Gordito, 2021.Bendita Mesa, 2015.Mountain, 2016.Window Panels, 2018.Taco, 2022.Ibon Kitchen, 2018.Pepa, 2021.Biografia Antoni Arola, 2015.Sabadell, 2019.Shelving System II, 2021.Sofa Port, 2018.Coeurs, 2020.Brown, 2021.HTH, 2020.Armario Alba, 2018.Shelving System I, 2019.Mesarraca, 2019.Pieza 1 HP, 2005.Yellow, 2017.Bonay Hello, 2015.Ari's, 2017.Mari, 2022.Green Kitchen, 2019.My Body Office, 2021.Carabí, 2022.Peana Ricard, 2021.Firma Black, 2017.Mesa Camión, 2025.Estantería Atico, 2019.Trineu FCB, 2018.Inca, 2021.Superligera, 2022.Save tables, 2018.Lucas, 2018.Bar en una botella, 2023.Mesón, 2014.Ikea Vitra Vitra Ikea, 2021.Martín, 2020.Blau, 2022.Marta, 2020.Bluejey, 2015.Mesa Elefante, 2018.Mel Gibson, 2015.L Table, 2021.Aloha Freewall workshop, 2022.Ping Pong Ping, 2018.Red Balls, 2021.Rosca (Light attempt), 2016.Mana Mana Lima, 2022.Shelving System IV, 2022.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.