Wilson is a collection of mirrors made of rattan that can be hung and removed from a single point in a very simple way. The formal result may resemble a tennis racket, hence its name in homage to the famous brand.
Size S O25cmSize M O50cmSize L O100cm
More Work
And here is a random and condensed selection of various other works completed in recent years:
Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Botijo Baldosa, 2024.Mesón, 2014.AOO bag, 2015.Carabí, 2022.Grada Groga, 2022.Armario Alba, 2018.Mountain, 2016.Brown, 2021.Narrow shop, 2020.Atico Kitchen, 2019.Silla Arco, 2022.Mesa DAC, 2022.Telmo, 2018.Cama Martín, 2020.Mesas Baraja, 2022.Pis O, 2017.Save tables, 2018.Mesa Gala, 2019.Martín, 2020.Shelving System III, 2021.Bendita Mesa, 2015.Coeurs, 2020.Marta, 2020.Mesa Port, 2018.L Table, 2021.Shelving System IV, 2022.Boisbuchet workshop, 2023.Mesa Forat, 2018.Ikea Vitra Vitra Ikea, 2021.Trineu FCB, 2018.Leon, 2022.Peana Ricard, 2021.Yellow, 2017.Taco, 2022.Estantería Atico, 2019.Pepa, 2021.Ari's, 2017.Mesarraca, 2019.Mesas Atico, 2019.Mana Mana Lima, 2022.Blau, 2022.Ping Pong Ping, 2018.Superligera, 2022.Lucas, 2018.El Hombre de Sal, 2019.Valsells, 2022.Firma Black, 2017.Frontón, 2017.Biografia Antoni Arola, 2015.Red Balls, 2021.Shelving System IV Groc, 2022.Inca, 2021.Bonay Hello, 2015.Ibon Kitchen, 2018.Pieza 1 HP, 2005.Ari, 2021.Window Panels, 2018.Jabalí, 2016.Gordito, 2021.Mel Gibson, 2015.Shelving System I, 2019.Sabadell, 2019.HTH, 2020.Sofa Port, 2018.Pre 8, 2018.Colgador Bolas, 2023.Muri, 2015.Bar en una botella, 2023.Mari, 2022.Mesa Camión, 2025.Mesa Elefante, 2018.Aloha Freewall workshop, 2022.Rosca (Light attempt), 2016.Green Kitchen, 2019.Mesas de Choque, 2021.Shelving System II, 2021.Red & Green, 2022.Bluejey, 2015.My Body Office, 2021.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects for individuals, brands and companies, staying closely involved in both design and development.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.