Kamanar
Year: 2018, for Foundawtion.
Foundawtion is a non-profit organization that carries out vernacular projects to address architectural needs in economically disadvantaged areas. CEM Kamanar, led by the Daw Office architecture studio, is the first project of this foundation: a school for more than 500 high school students in Thionck Essyl, a village in the Casamance area, south of Senegal.
This manual is a project in collaboration with Bendita Gloria for the foundation. More than the result of the work done, these pages contain everything that was necessary for the manufacture of the furniture collection designed for the CEM Kamanar school.
A collection that has sought the most optimal relationship between efficiency and comfort, prioritizing making things as easy as possible for each stage of the process: from design, material selection, construction, and/or maintenance.
Chaise S and L prototypes
The school in operation in 2020.
Throughout the design and manufacturing period of all the furniture, workshops and related projects were carried out to raise funds and promote the project.
A good example is L'Art de Construir, a workshop organized by Ester Rovira and in collaboration with Claudia Valsells. During a week and with a group of more than 20 children, more than 30 chairs from the collection were manufactured and painted.
Installation during the Dakar Art Bienal 2022
Chaise S painted by Antonio Ballester Moreno
Chaise S painted by Leticia Feduchi
Chaise S painted by Guim Tió
Chaise S painted by Klas Ernflo
Chaise S painted by Claudia Valsells
Chaise S painted by Xavier Mariscal
Chaise S painted by Marria Pratts
Árboles at Marta Gallery in Los Angeles.
Solid Chaise S de especialidad.
Solid Echelle de especialidad.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Bonay Hello, 2015.
Mesas Baraja, 2022.
Taco, 2022.
Mana Mana Lima, 2022.
Pis O, 2017.
Boisbuchet workshop, 2023.
Mesa Forat, 2018.
Superligera, 2022.
Frontón, 2017.
Bendita Mesa, 2015.
Silla Arco, 2022.
Save tables, 2018.
Mesas de Choque, 2021.
Ari's, 2017.
Mesa Elefante, 2018.
Botijo Baldosa, 2024.
Yellow, 2017.
Shelving System IV Groc, 2022.
Firma Black, 2017.
Mesa DAC, 2022.
Ping Pong Ping, 2018.
Mesarraca, 2019.
Bar en una botella, 2023.
Bluejey, 2015.
Telmo, 2018.
Carabí, 2022.
Mesas Atico, 2019.
My Body Office, 2021.
Trineu FCB, 2018.
L Table, 2021.
Narrow shop, 2020.
Ibon Kitchen, 2018.
Mesón, 2014.
Estantería Atico, 2019.
Shelving System IV, 2022.
Sofa Port, 2018.
Mel Gibson, 2015.
Martín, 2020.
Red & Green, 2022.
Jabalí, 2016.
Green Kitchen, 2019.
Gordito, 2021.
Brown, 2021.
Armario Alba, 2018.
Inca, 2021.
Valsells, 2022.
HTH, 2020.
Shelving System III, 2021.
Pepa, 2021.
Sabadell, 2019.
Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).
Colgador Bolas, 2023.
Peana Ricard, 2021.
Red Balls, 2021.
Cama Martín, 2020.
Mesa Camión, 2025.
Mari, 2022.
Aloha Freewall workshop, 2022.
Pieza 1 HP, 2005.
Ikea Vitra Vitra Ikea, 2021.
AOO bag, 2015.
Grada Groga, 2022.
Leon, 2022.
El Hombre de Sal, 2019.
Lucas, 2018.
Muri, 2015.
Rosca (Light attempt), 2016.
Mesa Port, 2018.
Mountain, 2016.
Coeurs, 2020.
Biografia Antoni Arola, 2015.
Blau, 2022.
Window Panels, 2018.
Shelving System I, 2019.
Ari, 2021.
Marta, 2020.
Pre 8, 2018.
Atico Kitchen, 2019.
Shelving System II, 2021.
Mesa Gala, 2019.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.
The vast majority of the photos you will see on this website are from the following photographers: José Serrano (the one who most), Jara Varela, Coke Bartrina, Claudia Mauriño, Iris Humm, Salva López and Adrià Cañameras.
And the website has been designed by N&MS (Mark Bohle and Nam Huynh) and developed by Jonas List.
Why Mark and Nam chose Gaisyr
Poster designed by Bendita Gloria