Estantería Palma is made of solid oak and steel rods. It’s easy to assemble and place the shelves at the desired level.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Estantería Atico, 2019.Mesas de Choque, 2021.My Body Office, 2021.Telmo, 2018.Bluejey, 2015.Armario Alba, 2018.Mesas Baraja, 2022.Inca, 2021.Firma Black, 2017.Marta, 2020.Martín, 2020.Bonay Hello, 2015.Grada Groga, 2022.Bendita Mesa, 2015.Frontón, 2017.Ikea Vitra Vitra Ikea, 2021.Save tables, 2018.Mari, 2022.L Table, 2021.Shelving System I, 2019.Green Kitchen, 2019.Shelving System III, 2021.Narrow shop, 2020.Pis O, 2017.Superligera, 2022.Mesas Atico, 2019.Coeurs, 2020.Cama Martín, 2020.Ibon Kitchen, 2018.Mesa Gala, 2019.Taco, 2022.Carabí, 2022.Peana Ricard, 2021.HTH, 2020.Shelving System IV Groc, 2022.Mel Gibson, 2015.Ping Pong Ping, 2018.Ari, 2021.Shelving System II, 2021.Mesa Port, 2018.Mesa Elefante, 2018.Sabadell, 2019.Silla Arco, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Mesarraca, 2019.Leon, 2022.Valsells, 2022.Botijo Baldosa, 2024.Lucas, 2018.Sofa Port, 2018.AOO bag, 2015.Pre 8, 2018.Gordito, 2021.El Hombre de Sal, 2019.Mana Mana Lima, 2022.Mountain, 2016.Red & Green, 2022.Pepa, 2021.Trineu FCB, 2018.Colgador Bolas, 2023.Rosca (Light attempt), 2016.Mesa Forat, 2018.Boisbuchet workshop, 2023.Window Panels, 2018.Brown, 2021.Yellow, 2017.Blau, 2022.Biografia Antoni Arola, 2015.Muri, 2015.Aloha Freewall workshop, 2022.Red Balls, 2021.Jabalí, 2016.Mesón, 2014.Shelving System IV, 2022.Atico Kitchen, 2019.Bar en una botella, 2023.Mesa DAC, 2022.Pieza 1 HP, 2005.Ari's, 2017.Mesa Camión, 2025.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.