Los Olivos is a reinterpretation of the typical picnic table and bench set. It's 3 meters long and it's made of solid iroko.
Los Olivos train set
More Work
And here is a random and condensed selection of various other works completed in recent years:
L Table, 2021.Estantería Atico, 2019.Aloha Freewall workshop, 2022.Trineu FCB, 2018.Taco, 2022.Ping Pong Ping, 2018.Mel Gibson, 2015.Telmo, 2018.Mesa Gala, 2019.Inca, 2021.Shelving System I, 2019.Muri, 2015.Mesa Camión, 2025.Shelving System II, 2021.Sabadell, 2019.Bonay Hello, 2015.AOO bag, 2015.Window Panels, 2018.Peana Ricard, 2021.Mountain, 2016.Cama Martín, 2020.Frontón, 2017.Martín, 2020.Red Balls, 2021.Pis O, 2017.Narrow shop, 2020.Jabalí, 2016.El Hombre de Sal, 2019.Save tables, 2018.Mesarraca, 2019.Bluejey, 2015.Yellow, 2017.Grada Groga, 2022.Boisbuchet workshop, 2023.Ikea Vitra Vitra Ikea, 2021.My Body Office, 2021.Ibon Kitchen, 2018.Botijo Baldosa, 2024.Mesa DAC, 2022.Mesas Atico, 2019.Marta, 2020.HTH, 2020.Shelving System III, 2021.Mesas Baraja, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Mesa Forat, 2018.Mana Mana Lima, 2022.Bendita Mesa, 2015.Superligera, 2022.Shelving System IV Groc, 2022.Atico Kitchen, 2019.Coeurs, 2020.Rosca (Light attempt), 2016.Mesa Port, 2018.Leon, 2022.Lucas, 2018.Mesas de Choque, 2021.Silla Arco, 2022.Green Kitchen, 2019.Ari's, 2017.Mesa Elefante, 2018.Biografia Antoni Arola, 2015.Gordito, 2021.Red & Green, 2022.Bar en una botella, 2023.Pre 8, 2018.Ari, 2021.Mari, 2022.Valsells, 2022.Brown, 2021.Pieza 1 HP, 2005.Shelving System IV, 2022.Armario Alba, 2018.Firma Black, 2017.Mesón, 2014.Pepa, 2021.Carabí, 2022.Sofa Port, 2018.Blau, 2022.Colgador Bolas, 2023.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.