The Capicua coffee table allows you two views of the same piece of furniture, with a white or black surface, depending on the choice.
The piece is made of a solid oak structure and lacquered MDF tops.
An original version in red and beech was the first model made for a particular client.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Lucas, 2018.Ikea Vitra Vitra Ikea, 2021.Bluejey, 2015.Mesas de Choque, 2021.Mesa Port, 2018.Mana Mana Lima, 2022.Silla Arco, 2022.AOO bag, 2015.Muri, 2015.Bonay Hello, 2015.Shelving System III, 2021.Leon, 2022.Sofa Port, 2018.Mountain, 2016.Rosca (Light attempt), 2016.Red & Green, 2022.Peana Ricard, 2021.Taco, 2022.Pieza 1 HP, 2005.Gordito, 2021.Mesas Baraja, 2022.Mesa Camión, 2025.Window Panels, 2018.Mesa Forat, 2018.Mesas Atico, 2019.Mesa DAC, 2022.Grada Groga, 2022.Estantería Atico, 2019.Shelving System IV Groc, 2022.Trineu FCB, 2018.Carabí, 2022.Ari's, 2017.Atico Kitchen, 2019.Red Balls, 2021.Marta, 2020.L Table, 2021.Brown, 2021.Bar en una botella, 2023.Shelving System I, 2019.Ping Pong Ping, 2018.Green Kitchen, 2019.Mesón, 2014.Frontón, 2017.Botijo Baldosa, 2024.Save tables, 2018.Mesa Gala, 2019.Ari, 2021.Biografia Antoni Arola, 2015.Yellow, 2017.Pre 8, 2018.Bendita Mesa, 2015.Inca, 2021.Sabadell, 2019.El Hombre de Sal, 2019.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Coeurs, 2020.Aloha Freewall workshop, 2022.Shelving System II, 2021.Cama Martín, 2020.Ibon Kitchen, 2018.Superligera, 2022.Pepa, 2021.Armario Alba, 2018.Pis O, 2017.Blau, 2022.My Body Office, 2021.Shelving System IV, 2022.Valsells, 2022.Narrow shop, 2020.Mel Gibson, 2015.Telmo, 2018.Firma Black, 2017.Jabalí, 2016.Mesarraca, 2019.Colgador Bolas, 2023.Martín, 2020.Mesa Elefante, 2018.Mari, 2022.HTH, 2020.Boisbuchet workshop, 2023.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.