Pepi's kitchen is a very easy and very difficult exercise. As a food designer, her kitchen is her sanctuary, and almost unintentionally, that's how it turned out. It's a kitchen based on conversations, where the content and the container form a better team than ever.
It's very green, very solid wood (beech mostly) and for some reason, not sought after, it kindly reminds us of the interior of a ship.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Boisbuchet workshop, 2023.Firma Black, 2017.AOO bag, 2015.Trineu FCB, 2018.Mesas de Choque, 2021.Coeurs, 2020.Mesa Elefante, 2018.Mesón, 2014.Gordito, 2021.Green Kitchen, 2019.Narrow shop, 2020.Carabí, 2022.Shelving System I, 2019.Grada Groga, 2022.Sofa Port, 2018.Ping Pong Ping, 2018.Muri, 2015.Rosca (Light attempt), 2016.Bonay Hello, 2015.Cama Martín, 2020.Shelving System III, 2021.Colgador Bolas, 2023.Inca, 2021.Silla Arco, 2022.Mel Gibson, 2015.Ari's, 2017.Marta, 2020.Martín, 2020.Window Panels, 2018.Pis O, 2017.Ari, 2021.Mesa Gala, 2019.Shelving System II, 2021.Red Balls, 2021.Mesas Baraja, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Ikea Vitra Vitra Ikea, 2021.Mesa Port, 2018.Pre 8, 2018.Sabadell, 2019.Ibon Kitchen, 2018.Brown, 2021.Mesarraca, 2019.Jabalí, 2016.Atico Kitchen, 2019.Superligera, 2022.HTH, 2020.Blau, 2022.Red & Green, 2022.Mesa Camión, 2025.L Table, 2021.Telmo, 2018.Botijo Baldosa, 2024.Bendita Mesa, 2015.Estantería Atico, 2019.Mana Mana Lima, 2022.Pepa, 2021.Shelving System IV Groc, 2022.Save tables, 2018.Mesa Forat, 2018.Bluejey, 2015.Yellow, 2017.Taco, 2022.Peana Ricard, 2021.My Body Office, 2021.El Hombre de Sal, 2019.Mesa DAC, 2022.Valsells, 2022.Biografia Antoni Arola, 2015.Mesas Atico, 2019.Bar en una botella, 2023.Armario Alba, 2018.Aloha Freewall workshop, 2022.Mountain, 2016.Shelving System IV, 2022.Leon, 2022.Mari, 2022.Pieza 1 HP, 2005.Lucas, 2018.Frontón, 2017.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.