Year: 2015
Produced by AOO from 2015 to 2020. Since then, available on demand
ATA is a bench system made up of 2 A-shaped leg structures that are joined to a T-shaped beam that can measure from 60 to 220cm in length.
Basic version is made of solid pineSpecial version lacquered in green for the Posidonia projectThe first and original version has beech legs and a pine beamDelta version made of wengue1st ATA drawing
More Work
And here is a random and condensed selection of various other works completed in recent years:
Taco, 2022.Trineu FCB, 2018.Ikea Vitra Vitra Ikea, 2021.Shelving System IV, 2022.Red & Green, 2022.Blau, 2022.Shelving System II, 2021.Aloha Freewall workshop, 2022.Telmo, 2018.Inca, 2021.Bluejey, 2015.Bendita Mesa, 2015.Bonay Hello, 2015.Coeurs, 2020.Jabalí, 2016.AOO bag, 2015.Save tables, 2018.Green Kitchen, 2019.Martín, 2020.Ari, 2021.Atico Kitchen, 2019.Leon, 2022.Cama Martín, 2020.Mesa DAC, 2022.Mana Mana Lima, 2022.Estantería Atico, 2019.Mesarraca, 2019.Mesa Forat, 2018.Bar en una botella, 2023.Yellow, 2017.Armario Alba, 2018.Botijo Baldosa, 2024.Firma Black, 2017.Ibon Kitchen, 2018.Superligera, 2022.Brown, 2021.Grada Groga, 2022.Mesas de Choque, 2021.Colgador Bolas, 2023.Shelving System III, 2021.El Hombre de Sal, 2019.Shelving System I, 2019.Frontón, 2017.Narrow shop, 2020.My Body Office, 2021.Window Panels, 2018.Mel Gibson, 2015.Boisbuchet workshop, 2023.Sabadell, 2019.Mesa Camión, 2025.Carabí, 2022.Gordito, 2021.Shelving System IV Groc, 2022.Sofa Port, 2018.Biografia Antoni Arola, 2015.Ping Pong Ping, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Pre 8, 2018.Valsells, 2022.Muri, 2015.Mesas Atico, 2019.Mesón, 2014.Mesa Elefante, 2018.Pieza 1 HP, 2005.Rosca (Light attempt), 2016.Mountain, 2016.Mesa Gala, 2019.Lucas, 2018.Pis O, 2017.Mesas Baraja, 2022.Marta, 2020.L Table, 2021.Pepa, 2021.Peana Ricard, 2021.Red Balls, 2021.HTH, 2020.Ari's, 2017.Silla Arco, 2022.Mari, 2022.Mesa Port, 2018.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.