Made of blue and green MDF + solid pine handlesUntitledMade of brown MDFMade of poplar plywood
More Work
And here is a random and condensed selection of various other works completed in recent years:
Aloha Freewall workshop, 2022.Pepa, 2021.Lucas, 2018.Save tables, 2018.Cama Martín, 2020.Mesa Elefante, 2018.Carabí, 2022.Coeurs, 2020.Firma Black, 2017.Jabalí, 2016.Mesas de Choque, 2021.Bonay Hello, 2015.Blau, 2022.Sabadell, 2019.Mari, 2022.Silla Arco, 2022.My Body Office, 2021.Yellow, 2017.AOO bag, 2015.Sofa Port, 2018.Mesa DAC, 2022.Rosca (Light attempt), 2016.Grada Groga, 2022.Estantería Atico, 2019.Bluejey, 2015.Atico Kitchen, 2019.Mesarraca, 2019.Shelving System IV, 2022.Mel Gibson, 2015.Mesa Camión, 2025.Boisbuchet workshop, 2023.Taco, 2022.L Table, 2021.Window Panels, 2018.Leon, 2022.Mountain, 2016.Red & Green, 2022.Gordito, 2021.Ari, 2021.Shelving System I, 2019.HTH, 2020.Biografia Antoni Arola, 2015.Frontón, 2017.Mesa Forat, 2018.Narrow shop, 2020.Pieza 1 HP, 2005.Peana Ricard, 2021.Mesa Port, 2018.Mesa Gala, 2019.Shelving System III, 2021.Ari's, 2017.Armario Alba, 2018.Marta, 2020.Mesas Baraja, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Superligera, 2022.Pis O, 2017.Telmo, 2018.Martín, 2020.Ikea Vitra Vitra Ikea, 2021.Ping Pong Ping, 2018.Red Balls, 2021.Brown, 2021.Shelving System II, 2021.Mesón, 2014.Ibon Kitchen, 2018.Botijo Baldosa, 2024.Trineu FCB, 2018.Green Kitchen, 2019.Bar en una botella, 2023.Muri, 2015.Shelving System IV Groc, 2022.El Hombre de Sal, 2019.Pre 8, 2018.Inca, 2021.Colgador Bolas, 2023.Valsells, 2022.Bendita Mesa, 2015.Mana Mana Lima, 2022.Mesas Atico, 2019.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.