Palma armchair is inspired by the shapes of the first spacecraft that took humans to the Moon.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Superligera, 2022.Mesas Baraja, 2022.Coeurs, 2020.Pepa, 2021.Mana Mana Lima, 2022.Narrow shop, 2020.Muri, 2015.Mesón, 2014.Cama Martín, 2020.Shelving System I, 2019.Gordito, 2021.Red & Green, 2022.Sabadell, 2019.Atico Kitchen, 2019.Ikea Vitra Vitra Ikea, 2021.Boisbuchet workshop, 2023.Trineu FCB, 2018.Ari's, 2017.Peana Ricard, 2021.Leon, 2022.Ari, 2021.Mesa Elefante, 2018.Armario Alba, 2018.Firma Black, 2017.Botijo Baldosa, 2024.El Hombre de Sal, 2019.Frontón, 2017.Mountain, 2016.Mari, 2022.Pieza 1 HP, 2005.Window Panels, 2018.Mesarraca, 2019.Yellow, 2017.Pis O, 2017.Mesa DAC, 2022.Mesa Forat, 2018.Carabí, 2022.Estantería Atico, 2019.Lucas, 2018.Brown, 2021.L Table, 2021.Green Kitchen, 2019.Marta, 2020.Bendita Mesa, 2015.Red Balls, 2021.HTH, 2020.Sofa Port, 2018.Shelving System II, 2021.Telmo, 2018.Valsells, 2022.Bluejey, 2015.Aloha Freewall workshop, 2022.Biografia Antoni Arola, 2015.My Body Office, 2021.Mesa Gala, 2019.Silla Arco, 2022.Pre 8, 2018.Martín, 2020.Grada Groga, 2022.Bar en una botella, 2023.Mesas de Choque, 2021.Shelving System IV Groc, 2022.Ping Pong Ping, 2018.Mel Gibson, 2015.Rosca (Light attempt), 2016.Inca, 2021.Jabalí, 2016.Mesa Port, 2018.AOO bag, 2015.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Bonay Hello, 2015.Taco, 2022.Shelving System III, 2021.Blau, 2022.Mesas Atico, 2019.Ibon Kitchen, 2018.Save tables, 2018.Shelving System IV, 2022.Colgador Bolas, 2023.Mesa Camión, 2025.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.