Pepi's kitchen is a very easy and very difficult exercise. As a food designer, her kitchen is her sanctuary, and almost unintentionally, that's how it turned out. It's a kitchen based on conversations, where the content and the container form a better team than ever.
It's very green, very solid wood (beech mostly) and for some reason, not sought after, it kindly reminds us of the interior of a ship.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Mana Mana Lima, 2022.Shelving System IV Groc, 2022.Pepa, 2021.Sofa Port, 2018.Ping Pong Ping, 2018.Mesa Elefante, 2018.Mari, 2022.Window Panels, 2018.HTH, 2020.Bluejey, 2015.Muri, 2015.Mesas de Choque, 2021.Grada Groga, 2022.Mesa Port, 2018.Estantería Atico, 2019.Rosca (Light attempt), 2016.AOO bag, 2015.Mesas Atico, 2019.Carabí, 2022.Marta, 2020.Mesón, 2014.Firma Black, 2017.Ari's, 2017.Mountain, 2016.Yellow, 2017.Bonay Hello, 2015.El Hombre de Sal, 2019.Armario Alba, 2018.Superligera, 2022.Cama Martín, 2020.L Table, 2021.My Body Office, 2021.Trineu FCB, 2018.Martín, 2020.Mesa Gala, 2019.Bendita Mesa, 2015.Frontón, 2017.Jabalí, 2016.Ari, 2021.Mesas Baraja, 2022.Biografia Antoni Arola, 2015.Green Kitchen, 2019.Red & Green, 2022.Pre 8, 2018.Blau, 2022.Aloha Freewall workshop, 2022.Mesa DAC, 2022.Pis O, 2017.Leon, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Lucas, 2018.Gordito, 2021.Red Balls, 2021.Atico Kitchen, 2019.Coeurs, 2020.Shelving System II, 2021.Brown, 2021.Shelving System IV, 2022.Colgador Bolas, 2023.Valsells, 2022.Save tables, 2018.Boisbuchet workshop, 2023.Sabadell, 2019.Botijo Baldosa, 2024.Ikea Vitra Vitra Ikea, 2021.Taco, 2022.Silla Arco, 2022.Shelving System I, 2019.Narrow shop, 2020.Telmo, 2018.Mesarraca, 2019.Ibon Kitchen, 2018.Inca, 2021.Bar en una botella, 2023.Peana Ricard, 2021.Mesa Forat, 2018.Mesa Camión, 2025.Shelving System III, 2021.Pieza 1 HP, 2005.Mel Gibson, 2015.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.