Year: 2013
Produced by AOO from 2013 to 2020. Since then, available on demand
Tripo is the rounded version of the Manolito stool and it has evolved with different models: the rounded solid version, the sandwich rounded version and the hexagonal version.
Height: 40cmInitially, a first prototype was made in aluminumHeight: 25cm
More Work
And here is a random and condensed selection of various other works completed in recent years:
Muri, 2015.Trineu FCB, 2018.Mesas de Choque, 2021.Lucas, 2018.Carabí, 2022.Cama Martín, 2020.Coeurs, 2020.Mana Mana Lima, 2022.Pepa, 2021.Red Balls, 2021.Silla Arco, 2022.Sofa Port, 2018.Mesa Forat, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Colgador Bolas, 2023.Shelving System IV Groc, 2022.Atico Kitchen, 2019.Bluejey, 2015.Martín, 2020.Firma Black, 2017.Mesa DAC, 2022.Inca, 2021.Gordito, 2021.Shelving System III, 2021.Mel Gibson, 2015.Bonay Hello, 2015.Sabadell, 2019.Pis O, 2017.Ari, 2021.L Table, 2021.Mesa Gala, 2019.My Body Office, 2021.Ping Pong Ping, 2018.Estantería Atico, 2019.Jabalí, 2016.Aloha Freewall workshop, 2022.Taco, 2022.Marta, 2020.AOO bag, 2015.Biografia Antoni Arola, 2015.Rosca (Light attempt), 2016.Mesa Elefante, 2018.Window Panels, 2018.Save tables, 2018.Shelving System I, 2019.Mesas Baraja, 2022.Frontón, 2017.Pre 8, 2018.Peana Ricard, 2021.Mountain, 2016.Blau, 2022.Grada Groga, 2022.Mari, 2022.Mesa Port, 2018.Valsells, 2022.Boisbuchet workshop, 2023.Shelving System II, 2021.Green Kitchen, 2019.Mesón, 2014.Botijo Baldosa, 2024.HTH, 2020.Ari's, 2017.Narrow shop, 2020.Yellow, 2017.Red & Green, 2022.Telmo, 2018.Mesa Camión, 2025.Mesas Atico, 2019.Superligera, 2022.Bar en una botella, 2023.Brown, 2021.Mesarraca, 2019.Shelving System IV, 2022.Ikea Vitra Vitra Ikea, 2021.Bendita Mesa, 2015.Pieza 1 HP, 2005.El Hombre de Sal, 2019.Armario Alba, 2018.Ibon Kitchen, 2018.Leon, 2022.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.