And here is a random and condensed selection of various other works completed in recent years:
Aloha Freewall workshop, 2022.Bluejey, 2015.Telmo, 2018.Silla Arco, 2022.Mesarraca, 2019.Ikea Vitra Vitra Ikea, 2021.Inca, 2021.Mesas Atico, 2019.Lucas, 2018.Frontón, 2017.Shelving System IV Groc, 2022.Green Kitchen, 2019.Brown, 2021.Taco, 2022.Marta, 2020.Coeurs, 2020.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Firma Black, 2017.Mesa Camión, 2025.Mountain, 2016.Estantería Atico, 2019.Mesón, 2014.Red & Green, 2022.Ari, 2021.Muri, 2015.Save tables, 2018.Pre 8, 2018.Mana Mana Lima, 2022.Bendita Mesa, 2015.Pis O, 2017.Mesas Baraja, 2022.My Body Office, 2021.Gordito, 2021.Pepa, 2021.Mesas de Choque, 2021.Bonay Hello, 2015.HTH, 2020.Shelving System III, 2021.Biografia Antoni Arola, 2015.Carabí, 2022.Cama Martín, 2020.Pieza 1 HP, 2005.Sofa Port, 2018.Narrow shop, 2020.Ibon Kitchen, 2018.Jabalí, 2016.Mel Gibson, 2015.Window Panels, 2018.Boisbuchet workshop, 2023.Rosca (Light attempt), 2016.Mesa Port, 2018.Botijo Baldosa, 2024.Valsells, 2022.Shelving System IV, 2022.Shelving System II, 2021.Mesa Elefante, 2018.Ping Pong Ping, 2018.Mesa Forat, 2018.AOO bag, 2015.Atico Kitchen, 2019.Red Balls, 2021.Leon, 2022.Grada Groga, 2022.Yellow, 2017.Shelving System I, 2019.Blau, 2022.Peana Ricard, 2021.Mari, 2022.Trineu FCB, 2018.L Table, 2021.Sabadell, 2019.Colgador Bolas, 2023.El Hombre de Sal, 2019.Mesa Gala, 2019.Bar en una botella, 2023.Armario Alba, 2018.Martín, 2020.Superligera, 2022.Ari's, 2017.Mesa DAC, 2022.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.