Wilson is a collection of mirrors made of rattan that can be hung and removed from a single point in a very simple way. The formal result may resemble a tennis racket, hence its name in homage to the famous brand.
Size S O25cmSize M O50cmSize L O100cm
More Work
And here is a random and condensed selection of various other works completed in recent years:
Muri, 2015.Rosca (Light attempt), 2016.Silla Arco, 2022.Shelving System IV, 2022.Mesa Forat, 2018.Ikea Vitra Vitra Ikea, 2021.My Body Office, 2021.Bendita Mesa, 2015.Mesarraca, 2019.Telmo, 2018.Pieza 1 HP, 2005.Peana Ricard, 2021.Armario Alba, 2018.Yellow, 2017.Mountain, 2016.Bar en una botella, 2023.Leon, 2022.Superligera, 2022.Mesa DAC, 2022.Estantería Atico, 2019.Trineu FCB, 2018.Red Balls, 2021.Mesón, 2014.Gordito, 2021.Shelving System IV Groc, 2022.AOO bag, 2015.Firma Black, 2017.Ari's, 2017.Frontón, 2017.Mesa Port, 2018.Mesas Baraja, 2022.Pis O, 2017.Sofa Port, 2018.Mel Gibson, 2015.Narrow shop, 2020.Boisbuchet workshop, 2023.Mesas Atico, 2019.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Aloha Freewall workshop, 2022.Mana Mana Lima, 2022.Blau, 2022.Bonay Hello, 2015.Martín, 2020.Pre 8, 2018.Carabí, 2022.Atico Kitchen, 2019.Jabalí, 2016.Red & Green, 2022.Marta, 2020.Mesa Gala, 2019.Cama Martín, 2020.Mesa Elefante, 2018.El Hombre de Sal, 2019.L Table, 2021.Botijo Baldosa, 2024.Ari, 2021.Mari, 2022.Lucas, 2018.Window Panels, 2018.Inca, 2021.Save tables, 2018.Colgador Bolas, 2023.Mesas de Choque, 2021.Pepa, 2021.Grada Groga, 2022.Shelving System I, 2019.Shelving System III, 2021.Sabadell, 2019.Valsells, 2022.Green Kitchen, 2019.Ping Pong Ping, 2018.Ibon Kitchen, 2018.Mesa Camión, 2025.Shelving System II, 2021.Brown, 2021.Coeurs, 2020.HTH, 2020.Biografia Antoni Arola, 2015.Bluejey, 2015.Taco, 2022.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.