The Capicua coffee table allows you two views of the same piece of furniture, with a white or black surface, depending on the choice.
The piece is made of a solid oak structure and lacquered MDF tops.
An original version in red and beech was the first model made for a particular client.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Taco, 2022.Window Panels, 2018.Ibon Kitchen, 2018.Mesa Gala, 2019.Ping Pong Ping, 2018.Shelving System IV Groc, 2022.Trineu FCB, 2018.Carabí, 2022.Lucas, 2018.Save tables, 2018.Ari, 2021.Colgador Bolas, 2023.Pre 8, 2018.Sabadell, 2019.Blau, 2022.Bendita Mesa, 2015.Inca, 2021.Jabalí, 2016.Mountain, 2016.Mari, 2022.Mesarraca, 2019.Bonay Hello, 2015.Red & Green, 2022.Ari's, 2017.Mana Mana Lima, 2022.Rosca (Light attempt), 2016.El Hombre de Sal, 2019.Shelving System II, 2021.Mel Gibson, 2015.Mesa Forat, 2018.Martín, 2020.Aloha Freewall workshop, 2022.Pis O, 2017.Estantería Atico, 2019.Marta, 2020.HTH, 2020.Shelving System III, 2021.Mesas de Choque, 2021.Bluejey, 2015.Mesas Baraja, 2022.L Table, 2021.Mesa Port, 2018.Bar en una botella, 2023.Peana Ricard, 2021.Pieza 1 HP, 2005.Mesón, 2014.Red Balls, 2021.Shelving System IV, 2022.Six Pack, 2024.Telmo, 2018.Grada Groga, 2022.Narrow shop, 2020.Silla Arco, 2022.Valsells, 2022.Mesa Camión, 2025.Boisbuchet workshop, 2023.Muri, 2015.Mesa Elefante, 2018.Ikea Vitra Vitra Ikea, 2021.Sofa Port, 2018.Shelving System I, 2019.Frontón, 2017.Armario Alba, 2018.Yellow, 2017.AOO bag, 2015.Leon, 2022.Botijo Baldosa, 2024.Pepa, 2021.Mesa DAC, 2022.Coeurs, 2020.Mesas Atico, 2019.Biografia Antoni Arola, 2015.Brown, 2021.Cama Martín, 2020.Gordito, 2021.My Body Office, 2021.Atico Kitchen, 2019.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Superligera, 2022.Green Kitchen, 2019.Firma Black, 2017.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.