Cadira is a DIY chair made of solid pine, using the same wooden slat (20x60mm).
Cadireta was the little chair that came before the CadiraIllustration by Robbie Whitehead
More Work
And here is a random and condensed selection of various other works completed in recent years:
Sabadell, 2019.Green Kitchen, 2019.Colgador Bolas, 2023.L Table, 2021.Bonay Hello, 2015.Blau, 2022.Mountain, 2016.My Body Office, 2021.Rosca (Light attempt), 2016.Silla Arco, 2022.Ibon Kitchen, 2018.Cama Martín, 2020.Save tables, 2018.Mesa Port, 2018.Marta, 2020.Armario Alba, 2018.Telmo, 2018.Mesa Elefante, 2018.Mesa Camión, 2025.Aloha Freewall workshop, 2022.Window Panels, 2018.Bendita Mesa, 2015.Ikea Vitra Vitra Ikea, 2021.Brown, 2021.Carabí, 2022.Boisbuchet workshop, 2023.Shelving System I, 2019.Coeurs, 2020.Leon, 2022.Pre 8, 2018.Red Balls, 2021.Superligera, 2022.Shelving System IV, 2022.Narrow shop, 2020.Jabalí, 2016.Grada Groga, 2022.Sofa Port, 2018.Mesa Forat, 2018.Mesa Gala, 2019.Mesas de Choque, 2021.Mari, 2022.Yellow, 2017.Mel Gibson, 2015.Mana Mana Lima, 2022.Lucas, 2018.Pieza 1 HP, 2005.Red & Green, 2022.Muri, 2015.Shelving System IV Groc, 2022.Gordito, 2021.Mesa DAC, 2022.Frontón, 2017.AOO bag, 2015.Trineu FCB, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).El Hombre de Sal, 2019.Shelving System III, 2021.Taco, 2022.Estantería Atico, 2019.Valsells, 2022.Mesas Baraja, 2022.Ari's, 2017.Bluejey, 2015.Mesón, 2014.Ping Pong Ping, 2018.Peana Ricard, 2021.Martín, 2020.Pis O, 2017.HTH, 2020.Mesarraca, 2019.Biografia Antoni Arola, 2015.Botijo Baldosa, 2024.Ari, 2021.Inca, 2021.Mesas Atico, 2019.Atico Kitchen, 2019.Bar en una botella, 2023.Pepa, 2021.Firma Black, 2017.Shelving System II, 2021.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.