Year: 2013
Produced by AOO from 2013 to 2020. Since then, available on demand
Tripo is the rounded version of the Manolito stool and it has evolved with different models: the rounded solid version, the sandwich rounded version and the hexagonal version.
Height: 40cmInitially, a first prototype was made in aluminumHeight: 25cm
More Work
And here is a random and condensed selection of various other works completed in recent years:
Bendita Mesa, 2015.Pepa, 2021.Mari, 2022.Bar en una botella, 2023.Shelving System I, 2019.Shelving System IV Groc, 2022.Atico Kitchen, 2019.Mel Gibson, 2015.Mesa Camión, 2025.Rosca (Light attempt), 2016.Lucas, 2018.AOO bag, 2015.Silla Arco, 2022.Leon, 2022.Ping Pong Ping, 2018.Blau, 2022.Sabadell, 2019.Save tables, 2018.Jabalí, 2016.Mesarraca, 2019.Green Kitchen, 2019.Mesas Baraja, 2022.Frontón, 2017.Muri, 2015.Marta, 2020.My Body Office, 2021.El Hombre de Sal, 2019.Coeurs, 2020.Carabí, 2022.Ibon Kitchen, 2018.Bonay Hello, 2015.Valsells, 2022.Pis O, 2017.Mesón, 2014.Martín, 2020.Estantería Atico, 2019.Mesa Gala, 2019.Pre 8, 2018.Mesas de Choque, 2021.Armario Alba, 2018.Ari's, 2017.Ari, 2021.Mesa DAC, 2022.Aloha Freewall workshop, 2022.Shelving System IV, 2022.Mana Mana Lima, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Grada Groga, 2022.Trineu FCB, 2018.Colgador Bolas, 2023.Gordito, 2021.Ikea Vitra Vitra Ikea, 2021.Boisbuchet workshop, 2023.Red & Green, 2022.Window Panels, 2018.Biografia Antoni Arola, 2015.Mesa Port, 2018.Shelving System II, 2021.Cama Martín, 2020.Peana Ricard, 2021.Mesas Atico, 2019.Botijo Baldosa, 2024.Telmo, 2018.Pieza 1 HP, 2005.Inca, 2021.Superligera, 2022.Sofa Port, 2018.L Table, 2021.Firma Black, 2017.Bluejey, 2015.Taco, 2022.Red Balls, 2021.Shelving System III, 2021.Mesa Elefante, 2018.Mesa Forat, 2018.Brown, 2021.Mountain, 2016.Yellow, 2017.HTH, 2020.Narrow shop, 2020.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.