Year: 2015
Produced by AOO from 2015 to 2020. Since then, available on demand
ATA is a bench system made up of 2 A-shaped leg structures that are joined to a T-shaped beam that can measure from 60 to 220cm in length.
Basic version is made of solid pineSpecial version lacquered in green for the Posidonia projectThe first and original version has beech legs and a pine beamDelta version made of wengue1st ATA drawing
More Work
And here is a random and condensed selection of various other works completed in recent years:
Mesas Atico, 2019.AOO bag, 2015.L Table, 2021.Rosca (Light attempt), 2016.Peana Ricard, 2021.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Yellow, 2017.Mesa Port, 2018.Grada Groga, 2022.Mana Mana Lima, 2022.Silla Arco, 2022.Shelving System IV Groc, 2022.Gordito, 2021.Red & Green, 2022.Mel Gibson, 2015.HTH, 2020.Ikea Vitra Vitra Ikea, 2021.Bar en una botella, 2023.Mountain, 2016.Sofa Port, 2018.Bonay Hello, 2015.Mesa Forat, 2018.Narrow shop, 2020.Bluejey, 2015.Telmo, 2018.Cama Martín, 2020.Boisbuchet workshop, 2023.Shelving System II, 2021.Mesa Camión, 2025.Valsells, 2022.Muri, 2015.Atico Kitchen, 2019.Shelving System III, 2021.Armario Alba, 2018.Inca, 2021.Marta, 2020.Shelving System I, 2019.Mesarraca, 2019.Colgador Bolas, 2023.Red Balls, 2021.Mesa Gala, 2019.Frontón, 2017.Mari, 2022.Leon, 2022.Mesas de Choque, 2021.Carabí, 2022.Ari, 2021.Mesón, 2014.Trineu FCB, 2018.Martín, 2020.Taco, 2022.Green Kitchen, 2019.Sabadell, 2019.Window Panels, 2018.Jabalí, 2016.Pepa, 2021.Coeurs, 2020.Aloha Freewall workshop, 2022.Ari's, 2017.Estantería Atico, 2019.Superligera, 2022.Biografia Antoni Arola, 2015.Lucas, 2018.Pieza 1 HP, 2005.Mesa DAC, 2022.Pre 8, 2018.Ping Pong Ping, 2018.Pis O, 2017.Mesa Elefante, 2018.Botijo Baldosa, 2024.Shelving System IV, 2022.Ibon Kitchen, 2018.Firma Black, 2017.My Body Office, 2021.Brown, 2021.Save tables, 2018.Bendita Mesa, 2015.Mesas Baraja, 2022.Blau, 2022.El Hombre de Sal, 2019.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.