The Campos chair is a reinterpretation of a popular design, maintaining the materials and its traditional manufacturing system, modifying only a series of measurements and proportions to make it somewhat more comfortable and fresh.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Carabí, 2022.Atico Kitchen, 2019.Shelving System II, 2021.Mari, 2022.HTH, 2020.Red Balls, 2021.Shelving System III, 2021.Inca, 2021.Pis O, 2017.Ping Pong Ping, 2018.Pre 8, 2018.Save tables, 2018.Shelving System IV Groc, 2022.Marta, 2020.Coeurs, 2020.Lucas, 2018.Rosca (Light attempt), 2016.Sabadell, 2019.Bendita Mesa, 2015.AOO bag, 2015.Pieza 1 HP, 2005.Mesa Gala, 2019.My Body Office, 2021.Muri, 2015.Peana Ricard, 2021.Grada Groga, 2022.Mountain, 2016.El Hombre de Sal, 2019.Mesa Forat, 2018.Shelving System I, 2019.Mesa Elefante, 2018.Trineu FCB, 2018.Mesas Baraja, 2022.Ari's, 2017.Superligera, 2022.Valsells, 2022.Martín, 2020.Red & Green, 2022.Silla Arco, 2022.Pepa, 2021.Botijo Baldosa, 2024.Narrow shop, 2020.Frontón, 2017.Blau, 2022.Mesa DAC, 2022.L Table, 2021.Mesarraca, 2019.Leon, 2022.Shelving System IV, 2022.Mel Gibson, 2015.Sofa Port, 2018.Mesón, 2014.Bluejey, 2015.Biografia Antoni Arola, 2015.Yellow, 2017.Cama Martín, 2020.Jabalí, 2016.Mesa Camión, 2025.Bonay Hello, 2015.Mesa Port, 2018.Taco, 2022.Green Kitchen, 2019.Aloha Freewall workshop, 2022.Telmo, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Colgador Bolas, 2023.Armario Alba, 2018.Six Pack, 2024.Estantería Atico, 2019.Mesas Atico, 2019.Bar en una botella, 2023.Mesas de Choque, 2021.Ikea Vitra Vitra Ikea, 2021.Brown, 2021.Ibon Kitchen, 2018.Gordito, 2021.Boisbuchet workshop, 2023.Mana Mana Lima, 2022.Window Panels, 2018.Firma Black, 2017.Ari, 2021.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.