Made of blue and green MDF + solid pine handlesUntitledMade of brown MDFMade of poplar plywood
More Work
And here is a random and condensed selection of various other works completed in recent years:
Peana Ricard, 2021.Shelving System IV Groc, 2022.Colgador Bolas, 2023.Jabalí, 2016.Pre 8, 2018.Ping Pong Ping, 2018.Atico Kitchen, 2019.Sofa Port, 2018.Mesa Port, 2018.Lucas, 2018.Grada Groga, 2022.Brown, 2021.Aloha Freewall workshop, 2022.Superligera, 2022.Ari's, 2017.Boisbuchet workshop, 2023.Leon, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Biografia Antoni Arola, 2015.Mesarraca, 2019.HTH, 2020.Muri, 2015.El Hombre de Sal, 2019.Shelving System III, 2021.Sabadell, 2019.Mesa Gala, 2019.Inca, 2021.Ibon Kitchen, 2018.Mesas Baraja, 2022.Valsells, 2022.Red Balls, 2021.Shelving System I, 2019.L Table, 2021.Shelving System IV, 2022.Armario Alba, 2018.My Body Office, 2021.Bar en una botella, 2023.Mesa Forat, 2018.Mana Mana Lima, 2022.Telmo, 2018.Bluejey, 2015.Mari, 2022.Trineu FCB, 2018.Pis O, 2017.Bonay Hello, 2015.Green Kitchen, 2019.Cama Martín, 2020.Ikea Vitra Vitra Ikea, 2021.Shelving System II, 2021.Narrow shop, 2020.Mesas de Choque, 2021.Ari, 2021.Mesón, 2014.Firma Black, 2017.Bendita Mesa, 2015.Window Panels, 2018.Mesa Elefante, 2018.Gordito, 2021.Pieza 1 HP, 2005.Save tables, 2018.Martín, 2020.Silla Arco, 2022.Mesa Camión, 2025.Taco, 2022.Carabí, 2022.Botijo Baldosa, 2024.Frontón, 2017.Coeurs, 2020.Blau, 2022.Mountain, 2016.Mel Gibson, 2015.Rosca (Light attempt), 2016.Estantería Atico, 2019.Yellow, 2017.Red & Green, 2022.Mesas Atico, 2019.Marta, 2020.Pepa, 2021.AOO bag, 2015.Mesa DAC, 2022.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.