Kamanar
Year: 2018, for Foundawtion.
Foundawtion is a non-profit organization that carries out vernacular projects to address architectural needs in economically disadvantaged areas. CEM Kamanar, led by the Daw Office architecture studio, is the first project of this foundation: a school for more than 500 high school students in Thionck Essyl, a village in the Casamance area, south of Senegal.
This manual is a project in collaboration with Bendita Gloria for the foundation. More than the result of the work done, these pages contain everything that was necessary for the manufacture of the furniture collection designed for the CEM Kamanar school.
A collection that has sought the most optimal relationship between efficiency and comfort, prioritizing making things as easy as possible for each stage of the process: from design, material selection, construction, and/or maintenance.
Chaise S and L prototypes
The school in operation in 2020.
Throughout the design and manufacturing period of all the furniture, workshops and related projects were carried out to raise funds and promote the project.
A good example is L'Art de Construir, a workshop organized by Ester Rovira and in collaboration with Claudia Valsells. During a week and with a group of more than 20 children, more than 30 chairs from the collection were manufactured and painted.
Installation during the Dakar Art Bienal 2022
Chaise S painted by Antonio Ballester Moreno
Chaise S painted by Leticia Feduchi
Chaise S painted by Guim Tió
Chaise S painted by Klas Ernflo
Chaise S painted by Claudia Valsells
Chaise S painted by Xavier Mariscal
Chaise S painted by Marria Pratts
Árboles at Marta Gallery in Los Angeles.
Solid Chaise S de especialidad.
Solid Echelle de especialidad.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Bonay Hello, 2015.
Colgador Bolas, 2023.
Mesa DAC, 2022.
Shelving System IV Groc, 2022.
Aloha Freewall workshop, 2022.
Jabalí, 2016.
Marta, 2020.
Carabí, 2022.
Atico Kitchen, 2019.
Mesa Gala, 2019.
Coeurs, 2020.
Mountain, 2016.
Mesa Camión, 2025.
Inca, 2021.
L Table, 2021.
Muri, 2015.
Green Kitchen, 2019.
Trineu FCB, 2018.
Telmo, 2018.
Armario Alba, 2018.
Pis O, 2017.
Mesa Port, 2018.
Firma Black, 2017.
Mesas de Choque, 2021.
Mesón, 2014.
Ibon Kitchen, 2018.
Valsells, 2022.
Red Balls, 2021.
Sabadell, 2019.
Boisbuchet workshop, 2023.
Rosca (Light attempt), 2016.
Window Panels, 2018.
Sofa Port, 2018.
Mari, 2022.
Mesa Elefante, 2018.
Mesas Baraja, 2022.
Shelving System I, 2019.
Biografia Antoni Arola, 2015.
Yellow, 2017.
Taco, 2022.
Shelving System III, 2021.
Bluejey, 2015.
Martín, 2020.
Frontón, 2017.
Gordito, 2021.
Ikea Vitra Vitra Ikea, 2021.
Ari, 2021.
AOO bag, 2015.
Shelving System II, 2021.
Ari's, 2017.
Cama Martín, 2020.
Mel Gibson, 2015.
Bendita Mesa, 2015.
Grada Groga, 2022.
Bar en una botella, 2023.
El Hombre de Sal, 2019.
Pieza 1 HP, 2005.
Red & Green, 2022.
Mesas Atico, 2019.
My Body Office, 2021.
Brown, 2021.
HTH, 2020.
Pepa, 2021.
Peana Ricard, 2021.
Blau, 2022.
Leon, 2022.
Lucas, 2018.
Pre 8, 2018.
Narrow shop, 2020.
Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).
Botijo Baldosa, 2024.
Save tables, 2018.
Mana Mana Lima, 2022.
Mesa Forat, 2018.
Superligera, 2022.
Silla Arco, 2022.
Mesarraca, 2019.
Estantería Atico, 2019.
Shelving System IV, 2022.
Ping Pong Ping, 2018.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.
The vast majority of the photos you will see on this website are from the following photographers: José Serrano (the one who most), Jara Varela, Coke Bartrina, Claudia Mauriño, Iris Humm, Salva López and Adrià Cañameras.
And the website has been designed by N&MS (Mark Bohle and Nam Huynh) and developed by Jonas List.
Why Mark and Nam chose Gaisyr
Poster designed by Bendita Gloria