Pepi's kitchen is a very easy and very difficult exercise. As a food designer, her kitchen is her sanctuary, and almost unintentionally, that's how it turned out. It's a kitchen based on conversations, where the content and the container form a better team than ever.
It's very green, very solid wood (beech mostly) and for some reason, not sought after, it kindly reminds us of the interior of a ship.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Shelving System IV Groc, 2022.Cama Martín, 2020.AOO bag, 2015.Mesa Elefante, 2018.Brown, 2021.Atico Kitchen, 2019.HTH, 2020.Taco, 2022.Valsells, 2022.Mountain, 2016.Superligera, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Boisbuchet workshop, 2023.Mel Gibson, 2015.Green Kitchen, 2019.Rosca (Light attempt), 2016.Botijo Baldosa, 2024.Red Balls, 2021.Grada Groga, 2022.Bluejey, 2015.Pieza 1 HP, 2005.Mesas Atico, 2019.Mesas Baraja, 2022.Peana Ricard, 2021.Pis O, 2017.Save tables, 2018.Martín, 2020.Yellow, 2017.Biografia Antoni Arola, 2015.Gordito, 2021.Pepa, 2021.Armario Alba, 2018.Ari's, 2017.My Body Office, 2021.Inca, 2021.Leon, 2022.Bendita Mesa, 2015.Carabí, 2022.Narrow shop, 2020.Pre 8, 2018.L Table, 2021.Shelving System I, 2019.Mana Mana Lima, 2022.Firma Black, 2017.Shelving System IV, 2022.Lucas, 2018.Bar en una botella, 2023.Ibon Kitchen, 2018.Sofa Port, 2018.Jabalí, 2016.Mesa DAC, 2022.Muri, 2015.Ikea Vitra Vitra Ikea, 2021.Trineu FCB, 2018.Silla Arco, 2022.Telmo, 2018.Red & Green, 2022.Sabadell, 2019.Mesa Forat, 2018.Mesón, 2014.Window Panels, 2018.Estantería Atico, 2019.Shelving System III, 2021.Blau, 2022.Frontón, 2017.Mesa Camión, 2025.Mari, 2022.Bonay Hello, 2015.El Hombre de Sal, 2019.Marta, 2020.Aloha Freewall workshop, 2022.Mesarraca, 2019.Coeurs, 2020.Colgador Bolas, 2023.Shelving System II, 2021.Ari, 2021.Mesas de Choque, 2021.Mesa Gala, 2019.Ping Pong Ping, 2018.Mesa Port, 2018.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.