Year: 2014
Produced by AOO from 2014 to 2020. Since then, available on demand
Delta version made of wengueNatural, grey and white basic versionsNew York settingChicago settingLos Angeles settingNormales was a previous collection of basic pieces that inspired the final version of the 3MONormales collection had a cable-roll
More Work
And here is a random and condensed selection of various other works completed in recent years:
Ibon Kitchen, 2018.Bonay Hello, 2015.Green Kitchen, 2019.Colgador Bolas, 2023.Mesón, 2014.Red Balls, 2021.Narrow shop, 2020.Ari, 2021.Trineu FCB, 2018.Save tables, 2018.Pieza 1 HP, 2005.Shelving System III, 2021.Bar en una botella, 2023.Taco, 2022.Peana Ricard, 2021.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Mountain, 2016.Sofa Port, 2018.Firma Black, 2017.Mel Gibson, 2015.Marta, 2020.Estantería Atico, 2019.Blau, 2022.Atico Kitchen, 2019.Mana Mana Lima, 2022.Shelving System IV Groc, 2022.Mesa Port, 2018.Red & Green, 2022.Mesarraca, 2019.Coeurs, 2020.Mesa Gala, 2019.Sabadell, 2019.Window Panels, 2018.Armario Alba, 2018.Ikea Vitra Vitra Ikea, 2021.Bendita Mesa, 2015.Pepa, 2021.Martín, 2020.Ping Pong Ping, 2018.Pis O, 2017.Grada Groga, 2022.Jabalí, 2016.Telmo, 2018.Mesas Atico, 2019.Superligera, 2022.Mesa Camión, 2025.Carabí, 2022.Boisbuchet workshop, 2023.Shelving System I, 2019.Pre 8, 2018.Muri, 2015.Biografia Antoni Arola, 2015.Mesas Baraja, 2022.Gordito, 2021.Mesas de Choque, 2021.Mesa Elefante, 2018.Cama Martín, 2020.Shelving System IV, 2022.Rosca (Light attempt), 2016.Silla Arco, 2022.AOO bag, 2015.Shelving System II, 2021.Ari's, 2017.Aloha Freewall workshop, 2022.Brown, 2021.Yellow, 2017.Leon, 2022.Mesa Forat, 2018.Inca, 2021.Frontón, 2017.Bluejey, 2015.L Table, 2021.My Body Office, 2021.HTH, 2020.Valsells, 2022.Mesa DAC, 2022.Botijo Baldosa, 2024.Mari, 2022.El Hombre de Sal, 2019.Lucas, 2018.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects for individuals, brands and companies, staying closely involved in both design and development.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.