Pepi's kitchen is a very easy and very difficult exercise. As a food designer, her kitchen is her sanctuary, and almost unintentionally, that's how it turned out. It's a kitchen based on conversations, where the content and the container form a better team than ever.
It's very green, very solid wood (beech mostly) and for some reason, not sought after, it kindly reminds us of the interior of a ship.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Cama Martín, 2020.Mountain, 2016.Firma Black, 2017.Blau, 2022.Marta, 2020.Save tables, 2018.Martín, 2020.Colgador Bolas, 2023.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Grada Groga, 2022.Window Panels, 2018.Mesa Elefante, 2018.Trineu FCB, 2018.Sabadell, 2019.Pre 8, 2018.Green Kitchen, 2019.Shelving System IV Groc, 2022.Mana Mana Lima, 2022.Lucas, 2018.Boisbuchet workshop, 2023.Mesa Gala, 2019.Aloha Freewall workshop, 2022.Atico Kitchen, 2019.Rosca (Light attempt), 2016.Yellow, 2017.Pis O, 2017.Shelving System II, 2021.My Body Office, 2021.Pepa, 2021.Shelving System I, 2019.Muri, 2015.Brown, 2021.Narrow shop, 2020.Ibon Kitchen, 2018.Red & Green, 2022.AOO bag, 2015.Superligera, 2022.Gordito, 2021.Ikea Vitra Vitra Ikea, 2021.Bluejey, 2015.Silla Arco, 2022.Leon, 2022.Mesa DAC, 2022.Bendita Mesa, 2015.Biografia Antoni Arola, 2015.Coeurs, 2020.El Hombre de Sal, 2019.Bar en una botella, 2023.Botijo Baldosa, 2024.Mesas Baraja, 2022.Ari, 2021.Mesarraca, 2019.Carabí, 2022.Mesa Forat, 2018.Mesa Port, 2018.Mesas de Choque, 2021.Telmo, 2018.Valsells, 2022.Mari, 2022.Mel Gibson, 2015.Mesón, 2014.HTH, 2020.Ping Pong Ping, 2018.Frontón, 2017.Mesas Atico, 2019.L Table, 2021.Sofa Port, 2018.Estantería Atico, 2019.Bonay Hello, 2015.Mesa Camión, 2025.Armario Alba, 2018.Shelving System III, 2021.Shelving System IV, 2022.Jabalí, 2016.Taco, 2022.Ari's, 2017.Pieza 1 HP, 2005.Red Balls, 2021.Peana Ricard, 2021.Inca, 2021.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.