Year: 2013
Produced by AOO from 2013 to 2020. Since then, available on demand
Tripo is the rounded version of the Manolito stool and it has evolved with different models: the rounded solid version, the sandwich rounded version and the hexagonal version.
Height: 40cmInitially, a first prototype was made in aluminumHeight: 25cm
More Work
And here is a random and condensed selection of various other works completed in recent years:
Shelving System I, 2019.Mesa Forat, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Trineu FCB, 2018.Ikea Vitra Vitra Ikea, 2021.Coeurs, 2020.Mana Mana Lima, 2022.Cama Martín, 2020.Mesa Camión, 2025.Atico Kitchen, 2019.Frontón, 2017.Martín, 2020.Gordito, 2021.Mesa Gala, 2019.Leon, 2022.HTH, 2020.Window Panels, 2018.Mesas Atico, 2019.Shelving System II, 2021.Taco, 2022.Muri, 2015.Aloha Freewall workshop, 2022.Colgador Bolas, 2023.Mesa Port, 2018.Narrow shop, 2020.AOO bag, 2015.Brown, 2021.Mesas Baraja, 2022.Telmo, 2018.Mesa Elefante, 2018.Biografia Antoni Arola, 2015.Red Balls, 2021.Lucas, 2018.Inca, 2021.Grada Groga, 2022.Ibon Kitchen, 2018.Mel Gibson, 2015.Bar en una botella, 2023.Bonay Hello, 2015.Save tables, 2018.Pis O, 2017.Ari, 2021.Pepa, 2021.Superligera, 2022.Boisbuchet workshop, 2023.Shelving System III, 2021.Botijo Baldosa, 2024.Sabadell, 2019.Blau, 2022.Bluejey, 2015.Mesas de Choque, 2021.Carabí, 2022.Green Kitchen, 2019.Valsells, 2022.Marta, 2020.Firma Black, 2017.Mesón, 2014.Ping Pong Ping, 2018.Mari, 2022.Jabalí, 2016.Sofa Port, 2018.Shelving System IV Groc, 2022.Mountain, 2016.Rosca (Light attempt), 2016.Red & Green, 2022.Shelving System IV, 2022.Mesarraca, 2019.Yellow, 2017.Estantería Atico, 2019.Peana Ricard, 2021.Silla Arco, 2022.Armario Alba, 2018.Pieza 1 HP, 2005.L Table, 2021.My Body Office, 2021.Ari's, 2017.Bendita Mesa, 2015.Mesa DAC, 2022.Pre 8, 2018.El Hombre de Sal, 2019.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.