Made of blue and green MDF + solid pine handlesUntitledMade of brown MDFMade of poplar plywood
More Work
And here is a random and condensed selection of various other works completed in recent years:
Mesa Gala, 2019.Bonay Hello, 2015.Carabí, 2022.Save tables, 2018.Trineu FCB, 2018.Lucas, 2018.Shelving System II, 2021.Biografia Antoni Arola, 2015.Ikea Vitra Vitra Ikea, 2021.Taco, 2022.Muri, 2015.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Mesas Atico, 2019.Mana Mana Lima, 2022.Mountain, 2016.Sabadell, 2019.Superligera, 2022.Grada Groga, 2022.Frontón, 2017.Shelving System IV Groc, 2022.Window Panels, 2018.Rosca (Light attempt), 2016.Mesas de Choque, 2021.Mesa Port, 2018.Pepa, 2021.Cama Martín, 2020.Sofa Port, 2018.Mesón, 2014.Mesarraca, 2019.Silla Arco, 2022.Yellow, 2017.Valsells, 2022.Ari, 2021.Pis O, 2017.Green Kitchen, 2019.Red Balls, 2021.Coeurs, 2020.Firma Black, 2017.Armario Alba, 2018.My Body Office, 2021.Gordito, 2021.Pieza 1 HP, 2005.Jabalí, 2016.Ibon Kitchen, 2018.Shelving System I, 2019.Martín, 2020.Mesa Forat, 2018.Bendita Mesa, 2015.HTH, 2020.Mesa Elefante, 2018.Blau, 2022.Brown, 2021.Narrow shop, 2020.Inca, 2021.Bar en una botella, 2023.Telmo, 2018.Mesa DAC, 2022.El Hombre de Sal, 2019.Botijo Baldosa, 2024.Marta, 2020.Mesas Baraja, 2022.Aloha Freewall workshop, 2022.Boisbuchet workshop, 2023.Pre 8, 2018.Leon, 2022.Ping Pong Ping, 2018.Atico Kitchen, 2019.AOO bag, 2015.Shelving System IV, 2022.Bluejey, 2015.Red & Green, 2022.Colgador Bolas, 2023.L Table, 2021.Shelving System III, 2021.Mari, 2022.Peana Ricard, 2021.Mesa Camión, 2025.Ari's, 2017.Mel Gibson, 2015.Estantería Atico, 2019.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.