Year: 2013
Produced by AOO from 2013 to 2020. Since then, available on demand
Tripo is the rounded version of the Manolito stool and it has evolved with different models: the rounded solid version, the sandwich rounded version and the hexagonal version.
Height: 40cmInitially, a first prototype was made in aluminumHeight: 25cm
More Work
And here is a random and condensed selection of various other works completed in recent years:
Shelving System IV Groc, 2022.Shelving System IV, 2022.Mesa DAC, 2022.Mesas de Choque, 2021.Atico Kitchen, 2019.Ibon Kitchen, 2018.Lucas, 2018.Yellow, 2017.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Window Panels, 2018.Red & Green, 2022.Shelving System II, 2021.Estantería Atico, 2019.Mesa Elefante, 2018.Blau, 2022.Marta, 2020.HTH, 2020.Martín, 2020.Mana Mana Lima, 2022.Taco, 2022.Sofa Port, 2018.Valsells, 2022.Mari, 2022.Pis O, 2017.Pepa, 2021.Narrow shop, 2020.Jabalí, 2016.Carabí, 2022.Rosca (Light attempt), 2016.Mesas Atico, 2019.Mesa Gala, 2019.My Body Office, 2021.Save tables, 2018.Brown, 2021.Mesa Port, 2018.Ari's, 2017.Shelving System III, 2021.Colgador Bolas, 2023.Botijo Baldosa, 2024.AOO bag, 2015.Ping Pong Ping, 2018.Red Balls, 2021.Superligera, 2022.Pieza 1 HP, 2005.Gordito, 2021.Mel Gibson, 2015.Pre 8, 2018.Ari, 2021.Biografia Antoni Arola, 2015.Bonay Hello, 2015.Muri, 2015.Trineu FCB, 2018.Boisbuchet workshop, 2023.Mesa Forat, 2018.Shelving System I, 2019.Bendita Mesa, 2015.Coeurs, 2020.Mesa Camión, 2025.Mesas Baraja, 2022.Armario Alba, 2018.Inca, 2021.Cama Martín, 2020.Firma Black, 2017.Grada Groga, 2022.Mesón, 2014.Telmo, 2018.Green Kitchen, 2019.Frontón, 2017.Aloha Freewall workshop, 2022.Silla Arco, 2022.Peana Ricard, 2021.Ikea Vitra Vitra Ikea, 2021.L Table, 2021.Mountain, 2016.Bluejey, 2015.Leon, 2022.Mesarraca, 2019.El Hombre de Sal, 2019.Bar en una botella, 2023.Sabadell, 2019.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.