And here is a random and condensed selection of various other works completed in recent years:
Taco, 2022.Pre 8, 2018.Red Balls, 2021.Mesa Elefante, 2018.Marta, 2020.Peana Ricard, 2021.Bar en una botella, 2023.Shelving System III, 2021.Biografia Antoni Arola, 2015.Atico Kitchen, 2019.Ikea Vitra Vitra Ikea, 2021.Mesa Gala, 2019.Ari's, 2017.Mesa Camión, 2025.Colgador Bolas, 2023.Coeurs, 2020.Pieza 1 HP, 2005.Armario Alba, 2018.Pepa, 2021.Mesas Atico, 2019.Grada Groga, 2022.L Table, 2021.Silla Arco, 2022.Trineu FCB, 2018.Estantería Atico, 2019.Telmo, 2018.Window Panels, 2018.Rosca (Light attempt), 2016.Sabadell, 2019.Shelving System IV Groc, 2022.Yellow, 2017.Bluejey, 2015.Boisbuchet workshop, 2023.Muri, 2015.Sofa Port, 2018.Pis O, 2017.Martín, 2020.Brown, 2021.Firma Black, 2017.Bonay Hello, 2015.Superligera, 2022.Lucas, 2018.Narrow shop, 2020.Jabalí, 2016.Ibon Kitchen, 2018.Botijo Baldosa, 2024.Save tables, 2018.Mesas Baraja, 2022.Inca, 2021.Mesa DAC, 2022.El Hombre de Sal, 2019.Carabí, 2022.Mel Gibson, 2015.Mesa Forat, 2018.Frontón, 2017.Mesa Port, 2018.Mari, 2022.My Body Office, 2021.Mesarraca, 2019.Gordito, 2021.AOO bag, 2015.Ping Pong Ping, 2018.HTH, 2020.Mountain, 2016.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Shelving System I, 2019.Bendita Mesa, 2015.Shelving System II, 2021.Red & Green, 2022.Shelving System IV, 2022.Valsells, 2022.Mesas de Choque, 2021.Leon, 2022.Mana Mana Lima, 2022.Aloha Freewall workshop, 2022.Blau, 2022.Mesón, 2014.Cama Martín, 2020.Ari, 2021.Green Kitchen, 2019.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.