And here is a random and condensed selection of various other works completed in recent years:
Bendita Mesa, 2015.Sofa Port, 2018.Sabadell, 2019.Narrow shop, 2020.Mesas Baraja, 2022.Bonay Hello, 2015.Carabí, 2022.Gordito, 2021.Pis O, 2017.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Cama Martín, 2020.Shelving System IV Groc, 2022.Brown, 2021.Mesa Elefante, 2018.Mesón, 2014.Mari, 2022.Grada Groga, 2022.Ari's, 2017.Mesa Camión, 2025.Shelving System III, 2021.Mountain, 2016.Marta, 2020.Pre 8, 2018.Muri, 2015.Bluejey, 2015.Pepa, 2021.Mesarraca, 2019.Trineu FCB, 2018.Mana Mana Lima, 2022.Ikea Vitra Vitra Ikea, 2021.Atico Kitchen, 2019.Telmo, 2018.Armario Alba, 2018.Rosca (Light attempt), 2016.Inca, 2021.Yellow, 2017.El Hombre de Sal, 2019.Blau, 2022.Frontón, 2017.Martín, 2020.Lucas, 2018.Bar en una botella, 2023.HTH, 2020.Pieza 1 HP, 2005.Red & Green, 2022.Mesa Port, 2018.Shelving System I, 2019.Peana Ricard, 2021.Window Panels, 2018.Silla Arco, 2022.Taco, 2022.Mesas de Choque, 2021.Save tables, 2018.Ibon Kitchen, 2018.AOO bag, 2015.Botijo Baldosa, 2024.Colgador Bolas, 2023.Ari, 2021.Boisbuchet workshop, 2023.Coeurs, 2020.Jabalí, 2016.My Body Office, 2021.Biografia Antoni Arola, 2015.Red Balls, 2021.Firma Black, 2017.L Table, 2021.Mel Gibson, 2015.Superligera, 2022.Mesa DAC, 2022.Shelving System IV, 2022.Mesa Gala, 2019.Mesas Atico, 2019.Ping Pong Ping, 2018.Shelving System II, 2021.Valsells, 2022.Aloha Freewall workshop, 2022.Mesa Forat, 2018.Estantería Atico, 2019.Green Kitchen, 2019.Leon, 2022.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.