And here is a random and condensed selection of various other works completed in recent years:
Pis O, 2017.Mesa Port, 2018.Mel Gibson, 2015.Ari, 2021.Martín, 2020.Mesa DAC, 2022.Shelving System I, 2019.Blau, 2022.Botijo Baldosa, 2024.Mesas de Choque, 2021.Bluejey, 2015.El Hombre de Sal, 2019.Bar en una botella, 2023.Red & Green, 2022.Marta, 2020.Mesa Forat, 2018.Valsells, 2022.Narrow shop, 2020.Bendita Mesa, 2015.L Table, 2021.Ibon Kitchen, 2018.Pepa, 2021.Mana Mana Lima, 2022.Save tables, 2018.Superligera, 2022.Muri, 2015.Yellow, 2017.Pre 8, 2018.Mesón, 2014.Rosca (Light attempt), 2016.Grada Groga, 2022.Armario Alba, 2018.Window Panels, 2018.Mesa Camión, 2025.Ping Pong Ping, 2018.Shelving System II, 2021.Lucas, 2018.Frontón, 2017.Aloha Freewall workshop, 2022.Mesa Elefante, 2018.Boisbuchet workshop, 2023.Ikea Vitra Vitra Ikea, 2021.Leon, 2022.My Body Office, 2021.Telmo, 2018.Pieza 1 HP, 2005.Inca, 2021.Firma Black, 2017.Cama Martín, 2020.Mesas Atico, 2019.Mesa Gala, 2019.Jabalí, 2016.Coeurs, 2020.HTH, 2020.Mountain, 2016.Silla Arco, 2022.Red Balls, 2021.Taco, 2022.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Peana Ricard, 2021.Green Kitchen, 2019.Brown, 2021.Sofa Port, 2018.Shelving System IV, 2022.Carabí, 2022.Shelving System IV Groc, 2022.Mesarraca, 2019.Biografia Antoni Arola, 2015.Sabadell, 2019.Estantería Atico, 2019.Atico Kitchen, 2019.Mari, 2022.Colgador Bolas, 2023.AOO bag, 2015.Ari's, 2017.Bonay Hello, 2015.Mesas Baraja, 2022.Trineu FCB, 2018.Gordito, 2021.Shelving System III, 2021.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.