Silla 8
First Silla 8 prototype ever
The first rough pre-series of 6 units of Silla 8 was the Tregebov, as it was commissioned by Pablo Tregebov upon seeing the first prototype
Silla 8 is the result of an exercise in which flat plywood sheets are curved under pressure and in a simple way (without machinery), using different structures as support. Instantly and without molds, this process generates what end up being seats and backrests.
The resulting pieces consist of two frames joined together and stripped of any decorative element. Together with the backrest and seat, they create a comfortable, light, and uniquely designed chair.
The final version is made of solid koto wood and poplar plywood, making it ultralight.
Silla 8 Natural
Silla 8 Tregebov
Silla 8 Natural Brazos
Silla 8 prototypes
To enhance its visual uniqueness, I collaborated with the artist Claudia Valsells, with whom we developed a series of color combinations that reflect her exploration of beauty. The chair conveys the tactile nature of the artwork through the palette; because what can be touched is tangible and brings us closer to its reality.
Each chair is painted in more than one color to emphasize the meaning of each when contrasted with the others.
First color combination test on a Silla 8 with Claudia Valsells
7 Sillas 8 is the result of a collaboration that is not normally seen in the world of art and design; it is a dialogue between disciplines that converges on a common and unlikely final point for each of the participants and, ultimately, an excuse between two professionals that ends with a good friendship.
A Frankenstein between the Salvador chair and the Silla 8
Black Silla 8 at Marta Gallery in Los Angeles.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Blau, 2022.
AOO bag, 2015.
Marta, 2020.
Aloha Freewall workshop, 2022.
Estantería Atico, 2019.
Mana Mana Lima, 2022.
Mel Gibson, 2015.
Mesas Baraja, 2022.
Shelving System I, 2019.
Narrow shop, 2020.
Colgador Bolas, 2023.
Pieza 1 HP, 2005.
Martín, 2020.
El Hombre de Sal, 2019.
Trineu FCB, 2018.
Mesa DAC, 2022.
Botijo Baldosa, 2024.
Telmo, 2018.
Boisbuchet workshop, 2023.
Atico Kitchen, 2019.
Sofa Port, 2018.
Leon, 2022.
Mesa Elefante, 2018.
Mari, 2022.
Ari, 2021.
Brown, 2021.
Shelving System II, 2021.
Bendita Mesa, 2015.
My Body Office, 2021.
Mesa Gala, 2019.
Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).
Sabadell, 2019.
Pepa, 2021.
Carabí, 2022.
Bar en una botella, 2023.
Shelving System IV, 2022.
Frontón, 2017.
Window Panels, 2018.
Valsells, 2022.
Biografia Antoni Arola, 2015.
Ari's, 2017.
Jabalí, 2016.
Coeurs, 2020.
Bluejey, 2015.
Mountain, 2016.
Ibon Kitchen, 2018.
Mesas de Choque, 2021.
HTH, 2020.
Lucas, 2018.
Inca, 2021.
Shelving System III, 2021.
Grada Groga, 2022.
Firma Black, 2017.
Silla Arco, 2022.
Mesas Atico, 2019.
Taco, 2022.
Muri, 2015.
Pre 8, 2018.
Gordito, 2021.
Yellow, 2017.
Ikea Vitra Vitra Ikea, 2021.
Green Kitchen, 2019.
Mesa Camión, 2025.
Red & Green, 2022.
Cama Martín, 2020.
Mesón, 2014.
Bonay Hello, 2015.
Superligera, 2022.
Pis O, 2017.
Shelving System IV Groc, 2022.
L Table, 2021.
Ping Pong Ping, 2018.
Save tables, 2018.
Rosca (Light attempt), 2016.
Armario Alba, 2018.
Mesa Forat, 2018.
Peana Ricard, 2021.
Mesarraca, 2019.
Mesa Port, 2018.
Red Balls, 2021.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.
The vast majority of the photos you will see on this website are from the following photographers: José Serrano, Jara Varela, Coke Bartrina, Claudia Mauriño, Iris Humm, Salva López and Adrià Cañameras.
And the website has been designed by N&MS (Mark Bohle and Nam Huynh) and developed by Jonas List.
Why Mark and Nam chose Gaisyr
Poster designed by Bendita Gloria