Olmo is a set of stackable MDF boxes with double layers and inverted colors.
O are containers made from simple wooden structures and leather around their entire perimeter. In a way, they were a previous step before reaching Olmo.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Bluejey, 2015.Ari, 2021.Rosca (Light attempt), 2016.Armario Alba, 2018.Sabadell, 2019.Mesa Camión, 2025.Yellow, 2017.Green Kitchen, 2019.Sofa Port, 2018.Trineu FCB, 2018.Window Panels, 2018.Mesarraca, 2019.Jabalí, 2016.Shelving System IV, 2022.Pre 8, 2018.Save tables, 2018.Firma Black, 2017.AOO bag, 2015.Valsells, 2022.Pieza 1 HP, 2005.Marta, 2020.Carabí, 2022.My Body Office, 2021.Biografia Antoni Arola, 2015.Colgador Bolas, 2023.L Table, 2021.Red Balls, 2021.Cama Martín, 2020.Mesa Forat, 2018.Mesa Elefante, 2018.Lucas, 2018.Ping Pong Ping, 2018.Pis O, 2017.Red & Green, 2022.Martín, 2020.Mana Mana Lima, 2022.Taco, 2022.Shelving System III, 2021.Blau, 2022.Mel Gibson, 2015.Mesa Gala, 2019.Estantería Atico, 2019.Frontón, 2017.Leon, 2022.Mesa DAC, 2022.El Hombre de Sal, 2019.Shelving System II, 2021.Botijo Baldosa, 2024.Mountain, 2016.Mesas Baraja, 2022.Muri, 2015.Grada Groga, 2022.Shelving System IV Groc, 2022.Brown, 2021.Pepa, 2021.Mesa Port, 2018.Mesas Atico, 2019.Ibon Kitchen, 2018.Ari's, 2017.Atico Kitchen, 2019.Bonay Hello, 2015.Coeurs, 2020.Mesón, 2014.Bar en una botella, 2023.Bendita Mesa, 2015.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Boisbuchet workshop, 2023.Silla Arco, 2022.Superligera, 2022.Shelving System I, 2019.Ikea Vitra Vitra Ikea, 2021.Telmo, 2018.Gordito, 2021.Narrow shop, 2020.Mari, 2022.HTH, 2020.Inca, 2021.Peana Ricard, 2021.Aloha Freewall workshop, 2022.Mesas de Choque, 2021.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects for individuals, brands and companies, staying closely involved in both design and development.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.