And here is a random and condensed selection of various other works completed in recent years:
Mesón, 2014.Shelving System I, 2019.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Mel Gibson, 2015.Mesas Baraja, 2022.Yellow, 2017.Valsells, 2022.Narrow shop, 2020.Pis O, 2017.Mountain, 2016.Ari's, 2017.Mesas de Choque, 2021.My Body Office, 2021.Trineu FCB, 2018.Silla Arco, 2022.Mesa Elefante, 2018.Frontón, 2017.Save tables, 2018.Leon, 2022.Pieza 1 HP, 2005.Shelving System II, 2021.Mesa DAC, 2022.Rosca (Light attempt), 2016.Telmo, 2018.Bendita Mesa, 2015.L Table, 2021.Biografia Antoni Arola, 2015.Inca, 2021.Superligera, 2022.Ikea Vitra Vitra Ikea, 2021.Mesa Forat, 2018.Gordito, 2021.Boisbuchet workshop, 2023.Mana Mana Lima, 2022.Pepa, 2021.Bar en una botella, 2023.Window Panels, 2018.Mesa Gala, 2019.Taco, 2022.Peana Ricard, 2021.Ping Pong Ping, 2018.Red Balls, 2021.Bonay Hello, 2015.Shelving System IV, 2022.Marta, 2020.Estantería Atico, 2019.Red & Green, 2022.Carabí, 2022.Lucas, 2018.Brown, 2021.Mari, 2022.Botijo Baldosa, 2024.Jabalí, 2016.Mesarraca, 2019.Aloha Freewall workshop, 2022.Martín, 2020.Shelving System III, 2021.El Hombre de Sal, 2019.Bluejey, 2015.Ari, 2021.Sabadell, 2019.Armario Alba, 2018.Sofa Port, 2018.Cama Martín, 2020.Atico Kitchen, 2019.Pre 8, 2018.AOO bag, 2015.Muri, 2015.Firma Black, 2017.Grada Groga, 2022.Green Kitchen, 2019.Coeurs, 2020.Shelving System IV Groc, 2022.Blau, 2022.Ibon Kitchen, 2018.Colgador Bolas, 2023.Mesa Port, 2018.HTH, 2020.Mesa Camión, 2025.Mesas Atico, 2019.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.