And here is a random and condensed selection of various other works completed in recent years:
Shelving System I, 2019.Taco, 2022.Mesarraca, 2019.Mesa Forat, 2018.Mesas de Choque, 2021.Sabadell, 2019.Cama Martín, 2020.Bluejey, 2015.Pepa, 2021.Mountain, 2016.Armario Alba, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Firma Black, 2017.Estantería Atico, 2019.Mesa Elefante, 2018.Aloha Freewall workshop, 2022.Pre 8, 2018.Mel Gibson, 2015.Botijo Baldosa, 2024.Biografia Antoni Arola, 2015.Red & Green, 2022.Pieza 1 HP, 2005.Trineu FCB, 2018.Colgador Bolas, 2023.Save tables, 2018.Jabalí, 2016.Mesa Camión, 2025.Sofa Port, 2018.Ibon Kitchen, 2018.Frontón, 2017.Shelving System IV, 2022.Gordito, 2021.Ping Pong Ping, 2018.Narrow shop, 2020.AOO bag, 2015.Shelving System II, 2021.Window Panels, 2018.Martín, 2020.Mesa Port, 2018.Shelving System IV Groc, 2022.Atico Kitchen, 2019.Telmo, 2018.L Table, 2021.Red Balls, 2021.Mari, 2022.Silla Arco, 2022.HTH, 2020.Blau, 2022.My Body Office, 2021.Ari's, 2017.Carabí, 2022.Shelving System III, 2021.Coeurs, 2020.Mana Mana Lima, 2022.Green Kitchen, 2019.Mesa Gala, 2019.Leon, 2022.Muri, 2015.Ari, 2021.Lucas, 2018.Rosca (Light attempt), 2016.Marta, 2020.Bar en una botella, 2023.El Hombre de Sal, 2019.Grada Groga, 2022.Bendita Mesa, 2015.Boisbuchet workshop, 2023.Mesas Baraja, 2022.Mesas Atico, 2019.Brown, 2021.Inca, 2021.Ikea Vitra Vitra Ikea, 2021.Pis O, 2017.Yellow, 2017.Mesa DAC, 2022.Valsells, 2022.Bonay Hello, 2015.Superligera, 2022.Peana Ricard, 2021.Mesón, 2014.
About
II am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.