The Capicua coffee table allows you two views of the same piece of furniture, with a white or black surface, depending on the choice.
The piece is made of a solid oak structure and lacquered MDF tops.
An original version in red and beech was the first model made for a particular client.
More Work
And here is a random and condensed selection of various other works completed in recent years:
Mesas Baraja, 2022.Mesa Port, 2018.Mana Mana Lima, 2022.Mesas de Choque, 2021.Martín, 2020.Mesa Elefante, 2018.Shelving System I, 2019.Mesón, 2014.Trineu FCB, 2018.Marta, 2020.Sofa Port, 2018.Ping Pong Ping, 2018.Narrow shop, 2020.Pre 8, 2018.Ari, 2021.Grada Groga, 2022.Mesa Gala, 2019.Green Kitchen, 2019.Atico Kitchen, 2019.Firma Black, 2017.Jabalí, 2016.Cama Martín, 2020.Shelving System II, 2021.Carabí, 2022.Window Panels, 2018.Muri, 2015.Save tables, 2018.Shelving System IV Groc, 2022.Coeurs, 2020.Sabadell, 2019.Bonay Hello, 2015.Mel Gibson, 2015.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Telmo, 2018.Shelving System III, 2021.Silla Arco, 2022.AOO bag, 2015.L Table, 2021.Brown, 2021.Aloha Freewall workshop, 2022.Lucas, 2018.Colgador Bolas, 2023.Bar en una botella, 2023.Rosca (Light attempt), 2016.Peana Ricard, 2021.Pepa, 2021.Pieza 1 HP, 2005.Biografia Antoni Arola, 2015.Pis O, 2017.Bluejey, 2015.Gordito, 2021.Superligera, 2022.Boisbuchet workshop, 2023.Frontón, 2017.Mari, 2022.El Hombre de Sal, 2019.Ibon Kitchen, 2018.Mesarraca, 2019.My Body Office, 2021.Mesas Atico, 2019.Mountain, 2016.Bendita Mesa, 2015.Red Balls, 2021.Mesa DAC, 2022.Red & Green, 2022.Shelving System IV, 2022.Inca, 2021.Mesa Forat, 2018.Leon, 2022.Armario Alba, 2018.Estantería Atico, 2019.Botijo Baldosa, 2024.Ikea Vitra Vitra Ikea, 2021.Valsells, 2022.Taco, 2022.Yellow, 2017.HTH, 2020.Ari's, 2017.Blau, 2022.Mesa Camión, 2025.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects, whether for individuals, brands, companies, or for my own practice. I’m particularly interested in the relationship between design and development, and much of my practice is grounded in that dialogue.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic, synthesis and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.