Year: 2013
Produced by AOO from 2013 to 2020. Since then, available on demand
Tripo is the rounded version of the Manolito stool and it has evolved with different models: the rounded solid version, the sandwich rounded version and the hexagonal version.
Height: 40cmInitially, a first prototype was made in aluminumHeight: 25cm
More Work
And here is a random and condensed selection of various other works completed in recent years:
Shelving System I, 2019.Mesarraca, 2019.Telmo, 2018.Mesas Atico, 2019.Aloha Freewall workshop, 2022.Brown, 2021.Ari's, 2017.L Table, 2021.Shelving System IV Groc, 2022.Muri, 2015.Coeurs, 2020.Valsells, 2022.Lucas, 2018.Bar en una botella, 2023.Mesa Elefante, 2018.Otrolibro I de Otrascosas de Villar-Rosàs (2009-2012).Sofa Port, 2018.Mountain, 2016.Peana Ricard, 2021.Superligera, 2022.Sabadell, 2019.My Body Office, 2021.Mesa Camión, 2025.Trineu FCB, 2018.Bendita Mesa, 2015.Ibon Kitchen, 2018.Estantería Atico, 2019.Shelving System III, 2021.Mesa DAC, 2022.Yellow, 2017.Mesa Gala, 2019.Rosca (Light attempt), 2016.Atico Kitchen, 2019.Boisbuchet workshop, 2023.Bonay Hello, 2015.Blau, 2022.Firma Black, 2017.Taco, 2022.Ari, 2021.HTH, 2020.Shelving System IV, 2022.Mari, 2022.Red Balls, 2021.Pieza 1 HP, 2005.Silla Arco, 2022.Ikea Vitra Vitra Ikea, 2021.Frontón, 2017.Inca, 2021.Narrow shop, 2020.Leon, 2022.Mesón, 2014.Shelving System II, 2021.Biografia Antoni Arola, 2015.Mesa Forat, 2018.Mel Gibson, 2015.Botijo Baldosa, 2024.El Hombre de Sal, 2019.Mesas Baraja, 2022.Bluejey, 2015.Grada Groga, 2022.Cama Martín, 2020.AOO bag, 2015.Gordito, 2021.Marta, 2020.Red & Green, 2022.Armario Alba, 2018.Save tables, 2018.Pis O, 2017.Martín, 2020.Jabalí, 2016.Window Panels, 2018.Colgador Bolas, 2023.Mesas de Choque, 2021.Pre 8, 2018.Green Kitchen, 2019.Mana Mana Lima, 2022.Pepa, 2021.Ping Pong Ping, 2018.Carabí, 2022.Mesa Port, 2018.
About
I am a furniture designer, born in 1983 on the island of Mallorca and based in Barcelona. I work on commissioned, industrial and custom furniture projects for individuals, brands and companies, staying closely involved in both design and development.
My work is grounded in simplicity, honesty and clear construction. I’m interested in archetypes and direct solutions: a chair as a chair, a table as a table. I try to remove everything that doesn’t add structural or material sense, focusing on structure, material logic and the mechanics behind each object.
The result is often straightforward, sometimes rough pieces, where construction is visible and materials are used as they are. Screws are not hidden, joints are not disguised. Austerity here is not a style or a concept, but a working position, often taken to a radical level. I see design as a practical craft, closer to making than to explaining. In the end, it’s about making clear decisions and standing by them.